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XENYX 1622FX/1832FX/2222FX/2442FX

Dear Customer,
I'm  sure  you're  one  of

those  people  who  have

devoted  themselves

body  and  soul  to  your

chosen  area  and  no

doubt this has made you

an expert in your field.
Well, for over 30 years,

my  passion  has  been

music  and  electronics.

This  not  only  led  me  to

establish  BEHRINGER,

but  also  enabled  me  to

share  my  enthusiasm

with  our  employees.

During all the years I've

been  involved  with

studio  technology  and

end  users,  I  have

developed a feel for the things that really count, such as sound

quality, reliability and ease of use. What is more, I have always

had  the  desire  to  test  the  boundaries  of  what  is  technically

feasible.
It was precisely this motivation that prompted me to start work

on a new series of mixing consoles. Since our EURORACKs had

already set new standards world-wide, I knew the development

objectives behind the next generation of mixing consoles had to

be especially ambitious.
Thus, the concept and design of the new XENYX mixing consoles

bear my signature. The design work, the entire circuit diagram

and PCB development, and even the mechanical concepts are

my own work. I carefully selected each individual component -

with the aim of pushing the mixing consoles' combining analog

and digital technologies to their limits.
My vision was to enable you, the user, to give free rein to your

true potential and creativity. The result is mixing consoles that

combine  incredible  performance  with  intuitive  operability.  They

cannot  fail  to  impress  with  their  extremely  flexible  routing

possibilities  plus  a  fantastic  wealth  of  functions.  Innovative

technologies, such as the completely new XENYX Mic Preamps

and  the  "British"  EQs,  guarantee  optimum  sound  quality.  And

extraordinarily  high-quality  components  provide  unrivalled

reliability, even under extreme loads.
Thanks  to  the  quality  and  ease  of  use  of  your  new  XENYX

mixing  console  you'll  soon  come  to  appreciate  that  I,  both

personally and in my capacity as musician and sound engineer,

put  you,  the  end  user,  first  and  that  these  products  were  only

possible because of the passion and the attention to detail that

went into them.
Thank you for the confidence you have placed in us by purchasing

the XENYX mixing console. I should also like to thank all those

who, with their personal commitment and passion, have helped

me create this impressive series of mixing consoles.

Kindest  regards,

Uli Behringer

FOREWORD

TABLE OF CONTENTS

I1. INTRODUCTION ........................................................ 4

1.1 General mixing console functions .................................. 4

1.2 The user’s manual .......................................................... 5

1.3 Before you get started ................................................... 5

1.3.1 Shipment ................................................................ 5

1.3.2 Initial operation ....................................................... 5

1.3.3 Online registration ................................................. 5

2. CONTROL ELEMENTS AND CONNECTORS .............. 5

2.1 Mono channels................................................................ 5

2.1.1 Microphone and line inputs ................................... 5

2.1.2 Equalizer ................................................................ 6

2.1.3  Monitor  and  effects  busses  (Aux  sends) ............ 6

2.1.4 Routing switch, PAN, SOLO and channel fader ... 7

2.2 Stereo channels .............................................................. 7

2.2.1 Channel inputs ....................................................... 7

2.2.2 Equalizer stereo channels .................................... 7

2.2.3 Aux  sends  stereo  channels .................................. 7

2.2.4 Routing switch, solo and channel fader .............. 8

2.3 Interface panel and main section ................................... 8

2.3.1 MON control, aux sends 1, 2 and 3 (FX) .............. 8

2.3.2 Aux send jacks ...................................................... 8

2.3.3 Stereo  aux  return  connectors .............................. 8

2.3.4 The monitor section of the 1832FX ....................... 9

2.3.5 Stereo aux return control ...................................... 9

2.3.6 Supplement to 1832FX ........................................ 10

2.3.7 XPQ Surround function (1832FX only) ............... 10

2.3.8 CD/Tape input, CD/tape output ............................ 10

2.3.9 Lamp socket (2442FX only) ................................ 11

2.3.10 Level meter and monitoring ............................... 11

2.3.11 Subgroups and main mix fader ......................... 12

 3. GRAPHIC 9-BAND EQUALIZER (1832FX only) ....... 12

4. DIGITAL EFFECTS PROCESSOR .............................. 12

5. REAR PANEL CONNECTORS ................................... 13

5.1 Main mix outputs, insert points and

control room outputs ........................................................... 13

5.2 Subgroup outputs ......................................................... 13

5.3 Inserts ........................................................................... 13

5.4 Direct outputs (2442FX only) ....................................... 13

5.5 Voltage supply, phantom power supply

and  fuse ....................................................................... 13

6. INSTALLATION ......................................................... 14

6.1 Rack mounting ............................................................... 14

6.2 Cable connections ........................................................ 14

6.2.1 Audio  connections ............................................... 14

7. SPECIFICATIONS ..................................................... 16

8. WARRANTY .............................................................. 17

Summary of Contents for 1622FX

Page 1: ...Version 1 0 January 2006 User s Manual XENYX 1622FX 1832FX 2222FX 2442FX...

Page 2: ...ty purpose of the polarized or grounding type plug A polarized plug has two blades with one wider than the other A grounding type plug has two blades and a third grounding prong The wide blade or the...

Page 3: ...s to the quality and ease of use of your new XENYX mixing console you ll soon come to appreciate that I both personally and in my capacity as musician and sound engineer put you the end user first and...

Page 4: ...d using the aux sends monitor mix Similarly for example signals for recording equipment power ampli fiers headphones and 2 track outputs can also be taken 1 INTRODUCTION Congratulations In purchasing...

Page 5: ...that all units must be properly grounded For your own safety you should never remove any ground connectors from electrical devices or power cables or render them in operative Please ensure that only q...

Page 6: ...the console TRIM Use the TRIM control to adjust the input gain This control should always be turned fully counter clockwise whenever you connect or disconnect a signal source to one of the inputs The...

Page 7: ...mix 2 2 Stereo channels 2 2 1 Channel inputs Fig 2 5 The various stereo channel inputs Each stereo channel has two balanced line level inputs on jacks for left and right channels Channels 9 10 and 11...

Page 8: ...TURN 1 2 TO AUX SEND STEREO AUX RETURN FX The STEREO AUX RETURN FX jacks accept the effects mix 2 2 4 Routing switch solo and channel fader Fig 2 6 Balance control and mute switch BAL The BAL ANCE con...

Page 9: ...ould be set at 100 effect Fig 2 12 Stereo aux return and stereo aux return to aux send controls STEREO AUX RETURN 1 2 TO AUX SEND The two right hand STEREO AUX RETURN controls have a special function...

Page 10: ...bled disabled with the XPQ TO MAIN switch This is a built in effect that widens the stereo width thus making the sound more lively and trans parent Use the SURROUND control to determine the intensity...

Page 11: ...signals e g kick drum Due to their inertia VU meters tend to display too low a signal level at frequencies above 1 kHz You should only drive instruments such as a Hi Hat as far as 10 dB Snare drums s...

Page 12: ...ject sound in the direction of microphones Therefore you can also use the FBQ Feedback Detection for monitors by placing the equalizer in the monitor bus see MAIN MIX MONITOR 4 DIGITAL EFFECTS PROCESS...

Page 13: ...ecord several tracks simultaneously With an 8 track recorder use Y cables and wire the inputs of your machine so that you have 2 x 4 tracks available e g channel 1 to track 1 and 2 etc In the first pa...

Page 14: ...re you activate the phantom power supply After switching on wait approx one minute to allow for system stabilization Caution Please also note the information given in chapter 6 2 1 Audio connections S...

Page 15: ...15 XENYX 1622FX 1832FX 2222FX 2442FX Fig 6 4 1 4 stereo plug Fig 6 5 Insert send return stereo plug Fig 6 6 Stereo plug for headphones connection 6 INSTALLATION...

Page 16: ...1622FX only 1 4 TS connector unbalanced Impedance approx 240 W symm 120 W unbalanced Max output level 28 dBu 22 dBu 1622FX Control room outputs Type 1 4 TS connector unbalanced Impedance approx 120 W...

Page 17: ...ER see enclosed list during normal business hours BEFORE returning the product All inquiries must be accompanied by a description of the problem BEHRINGER will then issue a return authorization number...

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