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64

XENYX UFX1604

Quick Start Guide

65

Specifi cations

Mono Inputs

Microphone inputs (XENYX mic preamp)

8

Type

XLR , electronically balanced, 
discrete input circuit

Mic E.I.N.

1

 (20 Hz - 20 kHz)

@ 0 Ω source resistance

-129 dB / 132 dB A-weighted

@ 50 Ω source resistance

-128 dB / 130.5 dB A-weighted

@ 150 Ω source resistance

-126 dB / 129 dB A-weighted

Frequency response

<10 Hz – 140 kHz (-1 dB) 
<10 Hz – 200 kHz (-3 dB)

Gain range

+10 dB to +60 dB

Max. input level

+12 dBu @ +10 dB gain

Impedance

approx 2.06 kΩ balanced

Signal-to-noise ratio

112 dB A-weighted 
(-10 dBu in @ +32 dB gain)

Distortion (THD+N)

0.0045% (-20 dBu in @ +20 dB gain)

Phantom power

+48 V, switchable per mic channel

Hi-Z input impedance

1 MΩ 

Line Inputs

Type

¼  " TRS connector, balanced

Impedance

20 kΩ balanced, 10 kΩ unbalanced

Gain range

-10 dB to +40 dB

Max. input level

30 dBu

Stereo Inputs

Type

¼  " TRS connector, balanced

Impedance

20 kΩ balanced, 10 kΩ unbalanced

Gain range

-20 dB to +20 dB

Max. input level

+22 dBu

CD/Tape In

Type

RCA connector

Impedance

10 kΩ

Max. input level

+22 dBu 

EQ Mono Channels

Low

80 Hz / ±15 dB

Low mid

100 Hz to 2 kHz / ±15 dB

High mid

400 Hz to 8 kHz / ±15 dB

High

12 kHz / ±15 dB

Low cut

80 Hz,18 dB/oct.

EQ Stereo Channels

Low

80 Hz / ±15 dB

Low mid

300 Hz / ±15 dB

High mid

3 kHz / ±15 dB

High

12 kHz / ±15 dB

Channel Inserts

Type

¼  " TRS connector, unbalanced

Max. input level

+22 dBu

Crosstalk

Main fader closed

90 dB

Channel muted

88 dB

Channel fader closed

88 dB

Aux Sends

Type

¼  " TS connector, unbalanced

Impedance

120 Ω

Max. output level

+22 dBu

Aux Returns

Type

¼  " TRS connector, balanced

Impedance

20 kΩ balanced, 10 kΩ unbalanced

Max. input level

+22 dBu

Main Outputs 

Type

XLR and ¼  " TRS balanced

Impedance

240 Ω balanced, 120 Ω unbalanced

Max. output level

+28 dBu

Control Room Output

Type

¼  " TS connector, unbalanced

Impedance

120 Ω

Max. output level

+22 dBu

Dual Phones Output

Type

¼  " TRS connector, unbalanced

Max. output level

+22 dBu / 23 Ω - 300 mW @ 100 Ω

CD/Tape Out

Type

RCA connector

Impedance

1 kΩ

Max. output level

+22 dBu

Dual Eff ects

Converters

2 x 24-bit Delta-Sigma, 
128-times  oversampling

Sampling rate

48 kHz

FireWire/USB Interface

Operation modes

FireWire 400 or USB 2.0

Connectors

6-pin FireWire 400 (IEEE1394A), 
USB 2.0 Type B

Converters

24-bit

Sample rate

44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz

Channel number

16 x 4 in/out

Operating systems

Windows XP or higher, Mac OS X

Low latency audio support

ASIO (Win), CoreAudio (Mac)

Transport section MIDI control

Standard MIDI mode 
(CC/note commands) 
or Mackie control mode

USB Recorder (Stand Alone Mode)

Connector

USB 2.0 (Type A)

Storage device

External USB 2.0 hard-disk drive 
(operation depends on required 
power consumption)

Sample rate

44.1 kHz, 48 kHz 

File format

WAV (uncompressed)

File system

FAT 16 / FAT 32

Number of recorded channels

16 tracks (stored as mono WAV fi les) 

Power Supply

Mains voltage

100 - 240 V~, 50/60 Hz

Power consumption

65 W

Fuse (100 - 230 V~, 50/60 Hz)

T 2A H 250 V

Mains connector

Standard IEC receptacle

Physical/Weight

Dimensions (H x W x D)

105 x 445 x 547.5 mm
(4.1 x 17.5 x 21.6")

Weight 

7.3 kg (16.1 lbs)

1 Equivalent Input Noise

Eff ect no.

Eff ect

EDIT

Parameter 1

TAP/SELECT

Parameter 2

TAP/SELECT

LED

1

CATHEDRAL

Reverb time

Brilliance

off /on

2

CONCERT

Reverb time

Brilliance

off /on

3

CLUB

Reverb time

Brilliance

off /on

4

CHAMBER

Reverb time

Brilliance

off /on

5

GOLD PLATE

Reverb time

Brilliance

off /on

6

GATED REV

Reverb time

Brilliance

off /on

7

REVERSE

Reverb time

Brilliance

off /on

8

AMBIENCE

Room size

Brilliance

off /on

9

DELAY

No. of repetitions

Time interval 

TAP

fl ashing 

(BPM tempo)

10

CHORUS

Intensity

Tempo 

TAP

fl ashing 
(tempo)

11

FLANGER

Intensity

Tempo 

TAP

fl ashing 
(tempo)

12

PHASER

Intensity

Tempo 

TAP

fl ashing 
(tempo)

13

ROTARY

Intensity

Tempo

off /on

14

PITCH SHIFT

Semi-tone steps (+/-12)

Detune

off /on

15

DELAY+REV

Delay vs. reverb ratio

Time interval 

TAP

fl ashing 

(BPM tempo)

16

REV

Chorus vs. reverb ratio

Reverb time

off /on

FIREWIRE, MAC AND OS X ARE TRADEMARKS OF APPLE INC., REGISTERED IN THE U.S. AND OTHER COUNTRIES. 
WINDOWS IS A REGISTERED TRADEMARK OF MICROSOFT CORPORATION IN THE UNITED STATES AND OTHER COUNTRIES. 
MACKIE IS A REGISTERED TRADEMARK OF LOUD TECHNOLOGIES INC.

Summary of Contents for UFX1604

Page 1: ...Quick Start Guide XENYX UFX1604 Premium 16 Input 4 Bus Mixer with 16 x 4 USB FireWire Interface 16 Track USB Recorder XENYX Mic Preamps Compressors British EQs and Dual Multi FX Processors...

Page 2: ...tavozprofesionalesydealtacalidadconconectores TSde6 3mmodebayonetaprefijados Cualquierotra instalaci nomodificaci ndebeserrealizada nicamente porunt cnicocualificado Estes mbolo siemprequeaparece lead...

Page 3: ...APPLIEDTECHNOLOGIES sont des marques ou marques d pos es de MUSIC Group IP Ltd MUSIC Group IP Ltd 2015Tous droits r serv s Pourconna trelestermesetconditionsdegarantie applicables ainsiquelesinformat...

Page 4: ...11 Oaparelhotemdeestarsempreconectado rede el ctricacomocondutordeprotec ointacto 12 Seutilizarumafichaderedeprincipalouuma tomadadeaparelhosparadesligaraunidadede funcionamento estadeveestarsempreac...

Page 5: ...1 Verkabelung PT Passo 1 Conex es TopViewHook Up A500 reference amplifier With HI Z button engaged XM8500 dynamic microphone XM8500 dynamic microphone B 2 PRO dual diaphragm condenser microphone TRUT...

Page 6: ...604 Hook up EN Step 1 Hook Up ES Paso 1 Conexi n FR Etape 1 Connexions DE Schritt 1 Verkabelung PT Passo 1 Conex es RearPanelHook Up VIRTUALIZER 3D FX2000 Eurolive F1320D Active Stage Monitor MULTIGAT...

Page 7: ...ols 21 22 23 25 30 29 28 32 33 26 27 31 36 35 34 24 37 38 44 45 46 43 42 40 39 41 1 3 4 5 6 10 14 8 7 2 9 11 13 16 15 12 Controls 20 19 18 17 Stereo Inputs 48 49 50 51 54 55 53 52 47 Rear Panel Contro...

Page 8: ...the button several times in the tempo of the music piece to adapt the delay time of presets 9 and 15 or the modulation speed of presets 10 12 The button will start flashing in the corresponding tempo...

Page 9: ...aptar el tiempo de retardo de los presets 9 y 15 o la velocidad de modulaci n de los presets 10 12 El bot n empezar a parpadear con el tempo ajustado El bot n TAP SELECT tambi n le permite cambiar la...

Page 10: ...hme La touche TAP SELECT permet galement de modifier le second param tre des Presets 1 8 13 14 et 16 Avec la touche vous pouvez s lectionner l une de deux valeurs allum e teinte du second param tre 31...

Page 11: ...man die Delay Zeit der Presets 9 und 15 oder die Modulationsgeschwindigkeit der Presets 10 12 anpassen Die Taste blinkt im entsprechenden Tempo Die TAP SELECT Taste ndert auch die Charakteristik des...

Page 12: ...dos presets 9 e 15 ou a velocidade da modula o dos presets 10 12 O bot o come ar a piscar no ritmo correspondente O bot o TAP SELECT tamb m muda a caracter stica do Segundo par metro nos presets 1 8 1...

Page 13: ...st the level of connected microphones and instruments by raising each CHANNEL FADER Adjust the left right position of a channel in the stereo field if necessary by turning the channel s PAN or BAL kno...

Page 14: ...these steps to add one or two effects to one or more channels Turn the FX A or FX B knob up halfway on each channel you would like to add an effect to Turn the FX SEND and FX RETURN knobs to 0 You ma...

Page 15: ...or to abort To show the sample rate setting push and hold the TIME REMAIN button until the sample rate is displayed To change the sample rate to 44 1 kHz push and hold TIME REMAIN until the sample ra...

Page 16: ...ect Sampling Rate 44 1 kHz Push and hold TIME REMAIN until the sample rate appears and then press while still holding TIME REMAIN Select Sampling Rate 48 kHz Push TIME REMAIN until the sample rate app...

Page 17: ...uno de los faders CHANNEL FADER Si es necesario ajuste la posici n izquierda derecha de cada canal dentro del campo stereo girando el mando PAN o BAL de dicho canal Si es necesario ajuste el mando CO...

Page 18: ...dir uno o dos efectos a uno o m s canales Gire el mando FX A o FX B hasta la mitad en cada uno de los canales en los que quiera a adir un efecto Lleve los mandos FX SEND y FX RETURN hasta la posici n...

Page 19: ...estreo mantenga pulsado el bot n TIME REMAIN hasta que aparezca ese valor Para cambiar la frecuencia de muestreo a 44 1 kHz mantenga pulsado el bot n TIME REMAIN hasta que aparezca el valor de la frec...

Page 20: ...EREMAIN hastaqueaparezcalafrecuenciademuestreoen pantalla ypulseentonces mientrassigue manteniendopulsadoelbot nTIMEREMAIN Selecci n de frecuencia de muestreo de 48 kHz Pulse el bot n TIME REMAIN hast...

Page 21: ...n 0 ou sur le niveau souhait R glez le niveau des micros et instruments avec chaque Fader de voie R glez la position gauche droite des signaux mono dans le champ st r o l aide des r glages PAN ou BAL...

Page 22: ...ux effets aux signaux de vos voies R glez mi chemin les boutons FX A ou FX B des voies auxquelles vous souhaitez ajouter des effets Placez les boutons FX SEND et FX RETURN sur 0 Vous pourrez les r gle...

Page 23: ...enfonc e jusqu ce qu elle s affiche Pour r gler la fr quence d chantillonnage sur 44 1 kHz maintenez la touche TIME REMAIN enfonc e jusqu ce que la fr quence d chantillonnage s affiche puis appuyez su...

Page 24: ...tout en continuant d appuyer sur la touche TIME REMAIN S lection de la fr quence d chantillonnage de 48 kHz Maintenez la touche TIME REMAIN enfonc ejusqu cequelafr quenced chantillonnage s affiche pu...

Page 25: ...angeschlos senen Mikrofone und Instrumente ein indem Sie die einzelnen KANALFADER hochschieben Stellen Sie n tigenfalls die Links Rechts Position eines Kanals im Stereofeld ein indem Sie den PAN oder...

Page 26: ...t prozessoren Gehen Sie schrittweise wie folgt vor um einem oder mehreren Kan len einen oder zwei Effekt hinzuzuf gen Drehen Sie bei jedem Kanal dem Sie einen Effekt hinzuf gen m chten den FX A oder F...

Page 27: ...IME REMAIN Taster gedr ckt bis die Samplerate angezeigt wird Um die Samplerate in 44 1 kHz zu ndern halten Sie TIME REMAIN gedr ckt bis die Samplerate erscheint und dr cken Sie dann w hrend Sie TIME R...

Page 28: ...8 kHz w hlen Halten Sie TIME REMAIN gedr ckt bis die Samplerate erscheint und dr cken Sie dann w hrend Sie TIME REMAIN weiterhin gedr ckt halten PLAY PAUSE umschalten PLAY f r Start dr cken PLAY f r P...

Page 29: ...n vel desejado Ajuste o n vel dos microfones conectados e instrumentos aumentando cada CHANNEL FADER Ajusta a posi o esquerda direita do canal no campo est reo se necess rio ao girar o bot o PAN ou B...

Page 30: ...ga esses passos para adicionar um ou dois efeitos a um ou mais canais Gire o bot o FX A ou FX B para cima at a metade em cada canal ao qual deseje adicionar um efeito Gire os bot es FX SEND e FX RETUR...

Page 31: ...t o TIME REMAIN at que a taxa de amostragem esteja sendo exibida Para modificar a taxa de amostragem para 44 1 kHz empurre e mantenha empurrado o bot o TIME REMAIN at que a taxa de amostragem apare a...

Page 32: ...e mantenha empurrado o bot o TIME REMAIN at que a taxa de amostragem apare a e ent o pressione enquanto continua a pressionar TIME REMAIN Selecionar Taxa de Amostragem 48 kHz Empurre TIME REMAIN at q...

Page 33: ...22 dBu Dual Effects Converters 2 x 24 bit Delta Sigma 128 times oversampling Sampling rate 48 kHz FireWire USB Interface Operation modes FireWire 400 or USB 2 0 Connectors 6 pin FireWire 400 IEEE1394A...

Page 34: ...partado Support denuestrap ginaweb ycompruebesisuproblemaaparece descritoysolucionadoall Deformaalternativa env enosa trav sdelap ginawebunasolicitudonlinedesoporteen periododegarant aANTESdedevolvern...

Page 35: ...We Hear You...

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