34
CVP-509/505/503/501 Reference Manual
Styles – Pla
ying Rh
ythm and Accompaniment –
3
When NTR is set to GUITAR
3 HIGH KEY / NOTE LIMIT
HARMONIC MINOR
5th
In addition to the Harmonic Minor transposition above, augmented and
diminished chords affect the 5th note of the Source pattern.
NATURAL MINOR
When the played chord changes from a major to a minor chord, this table
lowers the third, sixth and seventh intervals in the scale by a semitone.
When the chord changes from a minor to a major chord, the minor third,
flatted sixth and flatted seventh intervals are raised by a semitone. Other
notes are not changed. Use this for chord channels of Sections which
respond only to a Major/minor chord such as Intros and Endings.
NATURAL MINOR
5th
In addition to the Natural Minor transposition above, augmented and dimin-
ished chords affect the 5th note of the Source pattern.
DORIAN
When the played chord changes from a major to a minor chord, this table
lowers the third and seventh intervals in the scale by a semitone. When the
chord changes from a minor to a major chord, the minor third and flatted
seventh intervals are raised by a semitone. Other notes are not changed. Use
this for chord channels of Sections which respond only to a Major/minor
chord such as Intros and Endings.
DORIAN 5th
In addition to the Dorian transposition above, augmented and diminished
chords affect the 5th note of the Source pattern.
ALL-PURPOSE
This table covers both strummed- and arpeggio-played sound.
STROKE
Suitable for stroke-played sound of the guitar. Some notes may sound as if
it is muted—this is normal condition when the chord is played on guitar by
stroke.
ARPEGGIO
Suitable for arpeggio-played sound of the guitar. Using this table, four
notes arpeggio sounds most beautiful.
[4
▲▼
]/
[5
▲▼
]
HIGH KEY
This sets the highest key (upper octave limit) of the note transposition for
the chord root change. Any notes calculated to be higher than the highest
key are transposed down to the next lowest octave. This setting is avail-
able only when the NTR parameter (
) is set to “Root Trans.”
[6
▲▼
]
NOTE LIMIT
LOW
These set the note range (highest and lowest notes) for Voices recorded to
the Style channels. By judicious setting of this range, you can ensure that
the Voices sound as realistic as possible—in other words, that no notes
outside the natural range are sounded (e.g., high bass sounds or low pic-
colo sounds).
[7
▲▼
]
NOTE LIMIT
HIGH
CM
C3-E3-G3
FM
F3-A3-C4
F
#
M
F
#
2-A
#
2-C
#
3
C
#
M
C
#
3-E
#
3-G
#
3
Example—When the highest key is F.
Root changes
Notes played
CM
E3-G3-C4
FM
F3-A3-C4
C
#
M
E
#
3-G
#
3-C
#
4
Example—When the lowest note is C3 and the highest is D4.
Root changes
Notes played
High Limit
Low Limit
