NCX2000FM NCX1200R NCX900FM NTX1200R NTX900FM
NCX2000R/FM
Solid Hokkaido* Spruce A.R.E.
NCX2000R:
Solid Rosewood
NCX2000FM:
Solid Flamed Maple
African Mahogany
94-100mm (3.7"–3.94")
52mm
650mm
System 61 A.R.T. 2Way
Natural (NT)
Form Case
NCX1200R
Solid Sitka Spruce
Solid Rosewood
African Mahogany
94-100mm (3.7"–3.94")
52mm
650mm
System 61 A.R.T. 2Way
Natural (NT)
Form Case
NCX900R/FM
NCX900R:
Solid Sitka Spruce
NCX900FM:
Solid Engelmann Spruce
NCX900R:
Rosewood
NCX900FM:
Flamed Maple
Nato
94-100mm (3.7"–3.94")
52mm
650mm
System 61 A.R.T. 2Way
Natural (NT)
Top:
Back & Sides:
Neck:
Body Depth:
Nut Width:
String Scale:
P.U. System:
Color:
Accessory:
NTX1200R
Solid Sitka Spruce
Solid Rosewood
African Mahogany
80-90mm (3.7"–3.94")
48mm
650mm
System 61 A.R.T. 2Way
Natural (NT)
Form Case
NTX700/700BL
Solid Spruce
Nato
Nato
80-90mm (3.7"–3.94")
48mm
650mm
System 61 A.R.T. 2Way
NTX70:
Natural (NT)
NTX700BL:
Black (BL)
NTX900FM
Solid Engelmann Spruce
Flamed Maple
Nato
80-90mm (3.7"–3.94")
48mm
650mm
System 61 A.R.T. 2Way
Natural (NT)
Top:
Back & Sides:
Neck:
Body Depth:
Nut Width:
String Scale:
P.U. System:
Color:
Accessory:
2Way
A.R.T.
2Way
A.R.T.
2Way
A.R.T.
2Way
A.R.T.
2Way
A.R.T.
Rodorigo y Gabriela
Lee Ritenour
LJX6CA
LLX6A
LLX16
LL/LS/LJ36
LL/LS/LJ26
LL/LS/LJ16 LL16L/-12
LL/LS/LJ6
Top:
Back & Sides:
Neck:
Fingerboard:
Bridge:
Body Depth: (LL, LJ)
(LS)
Nut Width:
String Scale:
Tuning Machines:
Color:
Finish:
Accessory:
Solid Engelmann Spruce A.R.E.
Solid Rosewood
Mahogany, Padauk (5ply)
Ebony
Ebony
100-125mm (3 15/16"– 4 15/16")
100-120mm (3 15/16"– 4 3/4")
44mm (1 3/4")
650mm (25 9/16")
Die-cast Gold
Natural (NT)
Gloss (Nitrocellulose Lacquer)
Hard Case
Solid Engelmann Spruce A.R.E.
Solid Rosewood
Mahogany, Padauk (5ply)
Ebony
Ebony
100-125mm (3 15/16"– 4 15/16")
100-120mm (3 15/16"– 4 3/4")
44mm (1 3/4")
650mm (25 9/16")
Open Gear (Vintage Finish)
Natural (NT)
Gloss
Hard Case
Solid Engelmann Spruce
Solid Rosewood
Mahogany, Rosewood (3ply)
Ebony
Ebony
100-125mm (3 15/16"– 4 15/16")
100-120mm (3 15/16"– 4 3/4")
LL/LS/LL16L:
44mm (1 3/4")
LL16-12:
46mm (1 13/16")
650mm (25 9/16")
LL16-12:
634mm (25")
Die-cast Gold
Natural (NT)
Gloss
Form Case
Solid Engelmann Spruce
Rosewood
Mahogany, Rosewood (3ply)
Ebony
Ebony
100-125mm (3 15/16"– 4 15/16")
100-120mm (3 15/16"– 4 3/4")
44mm (1 3/4")
650mm (25 9/16")
Die-cast Gold
LL:
Natural (NT), Sunburst (SB), Tinted (T)
LS, LJ:
Natural (NT)
Gloss
Form Case
LLX36C/LSX36C/LJX36C LLX26C/LLX26/LSX26C/LJX26C LLX16/LLX6A/LJX6CA
Top:
Back & Sides:
Neck:
Fingerboard:
Bridge:
Body Depth: (LL, LJ)
(LS)
Nut Width:
String Scale:
Tuning Machines:
Color:
Finish:
Preamp:
Accessory:
Solid Engelmann Spruce A.R.E.
Solid Rosewood
Mahogany, Padauk (5ply)
Ebony
Ebony
100-125mm (3 15/16"– 4 15/16")
100-120mm (3 15/16"– 4 3/4")
44mm (1 3/4")
650mm (25 9/16")
Die-cast Gold
Natural (NT)
Gloss (Nitrocellulose Lacquer)
System60 3way A.R.T.
Hard Case
Solid Engelmann Spruce A.R.E.
Solid Rosewood
Mahogany, Padauk (5ply)
Ebony
Ebony
100-125mm (3 15/16"– 4 15/16")
100-120mm (3 15/16"– 4 3/4")
44mm (1 3/4")
650mm (25 9/16")
Open Gear (Vintage Finish)
Natural (NT)
Gloss
System60 3way A.R.T.
Hard Case
Solid Engelmann Spruce
Rosewood
Mahogany, Rosewood (3ply)
Ebony
Ebony
100-125mm (3 15/16"– 4 15/16")
44mm (1 3/4")
650mm (25 9/16")
Die-cast Gold
LLX16/LLX6A:
Natural (NT), Brown Sunburst (BS),
Tobacco Brown Sunburst (TBS), Black (BL)
LJX6CA:
Natural (NT)
Gloss
LLX16:
System60 3way A.R.T.
LLX6A/LJX6CA:
System57CB 3way A.R.T.
Form Case
FG720S
Solid Spruce
Nato
Nato
Rosewood
Rosewood
100–118mm (3 15/16"–4 5/8")
43mm (1 11/16")
650mm (25 9/16")
Die-cast Chrome (TM29)
Natural (NT),
Dusk Sun Red (DSR),
Oriental Blue Burst (OBB),
Brown Sunburst (BS),
Black (BL)
FG730S
FJX730SC
CPX15II
CPX15NII
(North)
CPX15WII
(West)
CPX15EII
(East)
CPX15SII
(South)
FJX720SC
FG730S
Solid Spruce
Rosewood
Nato
Rosewood
Rosewood
100–118mm (3 15/16"–4 5/8")
43mm (1 11/16")
650mm (25-9/16")
Die-cast Chrome (TM29)
Natural (NT),
Tobacco Brown Sunburst (TBS),
Vintage Cherry Sunburst (VCS)
NT
NT
NT
BS
BS
BS
BL
NT
DSR
OBB
VCS
TBS
FG720SL/720S-12
Solid Spruce
Nato
Nato
Rosewood
Rosewood
100–118mm (3 15/16"–4 5/8")
FG720SL:
43mm (1 11/16")
FG720S-12:
46mm (1 13/16")
FG720SL:
650mm (25-9/16")
FG720S-12:
634mm (25")
Die-cast Chrome (TM29)
Natural (NT)
FG720S-12
FS720S
Solid Spruce
Nato
Nato
Rosewood
Rosewood
100–120mm (3 15/16"– 4 3/4")
43mm (1 11/16")
634mm (25")
Die-cast Chrome (TM29)
Natural (NT), Dusk Sun Red (DSR),
Cobalt Aqua (CBA),
Tobacco Brown Sunburst (TBS),
Black (BL)
Top:
Back & Sides:
Neck:
Fingerboard:
Bridge:
Body Depth:
Nut Width:
String Scale:
Tuning Machines:
P.U. System:
Color:
FG700S/MS
Solid Spruce
Nato
Nato
Rosewood
Rosewood
100–118mm (3 15/16"–4 5/8")
43mm (1 11/16")
650mm (25-9/16")
Die-cast Chrome (TM29)
FG700S:
Natural (NT)
FG700MS:
Matte
FG700S/MS
NT
NT
BW
AVS
SDB
MOB
FGX730/720SCA
Solid Spruce
FGX730:
Rosewood
FGX720SCA:
Nato
Nato
Rosewood
Rosewood
100–118mm (3 15/16"–4 5/8")
43mm (1 11/16")
650mm (25 9/16")
Die-cast Chrome (TM29)
FGX730:
System 56CB 1way
FGX720:
System 55T 1way
Natural (NT),
Brown Sunburst (BS),
Black (BL)
FJX730SC/720SC
Solid Spruce
FJX730SC:
Rosewood
FJX720SC:
Nato
Nato
Rosewood
Rosewood
100–118mm (3 15/16"–4 5/8")
43mm (1 11/16")
650mm (25 9/16")
Die-cast Chrome (TM29)
FJX730SC:
System 56CB 1way
FJX720SC:
System 55T 1way
Natural (NT),
Brown Sunburst (BS),
Black (BL)
BL
BL
TBS
CBA
CPX900
CPX900
Solid Spruce
Flamed Maple
Nato
Rosewood
Rosewood
95-115mm
43mm (1 11/16")
650mm
Die-cast Gold (TM29G)
System 57 3 way A.R.T.
Natural (NT), Mocha Black (MBL)
Ultramarine (UM),
Brown Sunburst (BS)
Top:
Back & Sides:
Neck:
Fingerboard:
Bridge:
Body Depth:
Nut Width:
String Scale:
Tuning Machines:
P.U. System:
Color:
CPX500
CPX700
CPX500FM
CPX500FM/CPX500
CPX500FM:
Flamed Maple
CPX500:
Spruce
Nato
Nato
Rosewood
Rosewood
95-115mm
43mm (1 11/16")
650mm
Die-cast Chrome (TM-29-T)
System 55T 1 way
CPX500FM:
Old Violin Sunburst (OVS)
CPX500:
Natural (NT), Black (BL),
Old Violin Sunburst (OVS),
Dark Red Burst (DRB)
CPX700/700-12
Solid Spruce
Nato
Nato
Rosewood
Rosewood
95-115mm
CPX700:
43mm (1 11/16")
CPX700-12:
46mm (1 13/16")
CPX700:
650mm
CPX700-12:
634mm
Die-cast Chrome (TM29)
System 56 1way A.R.T.
CPX700:
Natural (NT), Black (BL),
Sand Burst (SDB)
Oriental Blue Burst (OBB),
Dusk Sun Red (DSR)
CPX700-12:
Natural (NT)
Top:
Back & Sides:
Neck:
Fingerboard:
Bridge:
Body Depth:
Nut Width:
String Scale:
Tuning Machines:
P.U. System:
Color:
CPX15II
Solid Spruce
Indian Rosewood
Mahogany
Indian Rosewood
Indian Rosewood
95–115mm (3 3/4"–4 1/2")
43mm (1 11/16")
650mm (25 9/16")
Die-cast Gold (SG-301)
System 59 3 way A.R.T.
Natural (NT)
CPX15NII
Solid Spruce
White Sycamore
Mahogany
Indian Rosewood
Indian Rosewood
95–115mm (3 3/4"–4 1/2")
43mm (1 11/16")
650mm (25 9/16")
Die-cast Gold (SG-301)
System 59 3 way A.R.T.
Blond White (BW)
CPX15EII
Solid Spruce
Quilted Mahogany
Mahogany
ndian Rosewood
Indian Rosewood
95–115mm (3 3/4"–4 1/2")
43mm (1 11/16")
650mm (25 9/16")
Die-cast Gold (SG-301)
System 59 3 way A.R.T.
Sand Burst (SDB)
CPX15SII
Solid Spruce
White Sycamore
Mahogany
ndian Rosewood
Indian Rosewood
95–115mm (3 3/4"–4 1/2")
43mm (1 11/16")
650mm (25 9/16")
Die-cast Gold (SG-301)
System 59 3 way A.R.T.
Miami Ocean Blue (MOB)
CPX15WII
Solid Spruce
Walnut
Mahogany
ndian Rosewood
Indian Rosewood
95–115mm (3 3/4"–4 1/2")
43mm (1 11/16")
650mm (25 9/16")
Die-cast Gold (SG-301)
System 59 3 way A.R.T.
Antique Violin Sunburst (AVS)
CG201S
Top:
Back & Sides:
Neck:
Fingerboard:
Bridge:
String Scale:
Nut Width:
Tuning Machines:
Color:
Finish:
Accessory:
GL1
(Guitarere)
Spruce
Meranti
Nato
Sonokeling
Sonokeling
433mm (17")
48mm (1 7/8")
Chrome (YTM-01)
Natural
Matte Finish
Gig Bag
JR1
(Small Size Acoustic Guitar)
Spruce
Meranti
Nato
Rosewood
Rosewood
540mm (21 1/4")
43mm (1 11/16")
Opened Chrome (RM1248)
Natural
Gloss Finish
Gig Bag
CS40
(Small Size Classic Guitar)
Spruce
Meranti
Nato
Rosewood
Rosewood
580mm (22 13/16")
48mm (1 7/8")
Chrome (YTM-04)
Gloss Finish
C80/C70/40
Spruce
C80:
Nato
C70/40:
Meranti
Nato
Rosewood
Rosewood
94-100mm (3.7”–3.94”)
52mm (2 1/16")
C80/70:
Gold (YTM-06)
C40:
Chrome (YTM-01)
Gloss Finish
Top:
Back & Sides:
Neck:
Fingerboard:
Bridge:
Body Depth:
Nut Width:
Tuning Machines:
Finish:
CG171S
CG131S
CG151S
CG111S
CG101A
NTX700BL
CPX700-12
F370
Spruce
Nato
Nato
Rosewood
Rosewood
96–116mm(3 3/4"–4 9/16")
43mm (1 11/16")
634mm (25")
Die-cast Chrome (TM29T)
Natural (NT), Black(BL),
Tobacco Brown Sunburst (TBS)
Top:
Back & Sides:
Neck:
Fingerboard:
Bridge:
Body Depth:
Nut Width:
String Scale:
Tuning Machines:
P.U. System:
Color:
FX370C
Spruce
Nato
Nato
Rosewood
Rosewood
6–116mm(3 3/4"–4 9/16")
46mm (1 13/16")
634mm (25")
Die-cast Chrome (TM29)
System 58 1 way
Natural (NT), Black(BL),
Tobacco Brown Sunburst (TBS)
FX310A
Spruce
Meranti
Nato
Rosewood
Rosewood
96–116mm(3 3/4"–4 9/16")
43mm (1 11/16")
634mm (25")
Covered Chrome
System 53 1 way
Natural (NT)
F310P/F310P TBS
Package Model of F310/F310TBS
CONTENTS:
Gig bag, Pitch pipe,
String set, Strap, String winder,
Capo, Picks
CARTON:
2 color print
F310
Spruce
Meranti
Nato
Rosewood
Rosewood
96–116mm(3 3/4"–4 9/16")
43mm (1 11/16")
634mm (25")
Covered Chrome
Natural (NT),
Tobacco Brown Sunburst (TBS),
Cherry Sunburst (CS)
BL
TBS
BL
NT
TBS
NT
TBS
NT
CS
BS
UM
MBL
NT
NT
NT
BL
OVS
OVS
DRB
BL
SDB
OBB
System58/46N/48
One-way system includes a 3-band equalizer with an adjustable midrange frequency control
and master volume. System 46N/48 are optimized for use with nylon string guitars. The
functions are the same as those of System58.
Top:
Back & Sides:
Neck:
Fingerboard:
Bridge:
Body Depth:
Nut Width:
String Scale:
Tuning Machines:
Color:
FG750S
Solid Spruce
Sycamore
Nato
Rosewood
Rosewood
100–118mm (3 15/16"–4 5/8")
43mm (1 11/16")
650mm (25 9/16")
Die-cast with Vintage Plastic Pegs
Natural (NT)
FG750S
FGX720SCA
LLX36C
CGBN1
Bossa Nova
LS26
LJX26C
Body Selection
Whether you prefer a full-sized LL dreadnought,
small-sized LS body, or auditorium-sized LJ,
the choice is yours. Each of these body styles is
represented in each class letting you choose the
instrument that meets your requirements for sound,
style, and affordability.
LLX/LSX/LJX/LL/LS/LJ Series
Non-scalloped, 90˚ X-type bracing.
8 non-scalloped braces deliver tone
that is thick and well focused.
A.R.E. (Acoustic Resonance Enhancement)
A.R.E. (Acoustic Resonance Enhancement) is an original
wood reforming technology developed by Yamaha.
Instruments made with woods processed with this
technology produce a tonal richness that is like vintage
instruments that have been played for years. This
technology is currently applied to the tops on L Series 6
model (LL36, LL26, LS36, LS26, LJ36, LJ26) acoustic
guitars and LX Series 6 model (LLX36C, LLX26C,
LSX36C, LSX26C, LJX36C, LJX26C) acoustic-electric
guitars.
FGX/FG/FS Series
Non-scallop, X-type bracing design.
Delivers deep lows full of presence
that are unique to the Yamaha
sound, and a clear upper end.
Response is clear and tight.
SUB PICKUP
SUB PICKUP
(TREBLE SIDE)
(TREBLE SIDE)
SUB PICKUP
SUB PICKUP
(BASS SIDE)
(BASS SIDE)
MAIN PICKUP
MAIN PICKUP
MAIN PICKUP
SUB PICKUP
(BASS SIDE)
SUB PICKUP
(TREBLE SIDE)
OUTPUT
BASS
BASS
BASS TREBLE
TREBLE
TREBLE
MASTER
MASTER
VOLUME
VOLUME
MASTER
VOLUME
The main pickups are controlled via
the master volume, while the bass
and treble pickups are controlled
independently. The system is also
equipped with a 3-band equalizer for
versatile sound production that fully
satisfies the musician’s creative
demands.
The onboard tuner is easy to view on
stage, even under low light
conditions.
VOLUME
VOLUME
OUTPUT
OUTPUT
OUTPUT
MAIN PICKUP
MAIN PICKUP
MAIN PICKUP
VOLUME
This configuration features one main
pickup system consisting of two
pickups underneath the saddle. The
3-band equalizer gives the ability to
control the mid-range for versatile
sound creation that meets the
musician’s needs. The system is also
equipped with an onboard tuner for
optimum usability.
GC41/GC41C
GC41:
Solid European Spruce
GC41C:
Solid American Cedar
Solid Honduras Rosewood
Mahogany
Ebony
Rosewood
94-110mm (3.7”–4.33”)
52mm (2 1/16")
Gold (YTM-81)
Gloss Finish
Form Case
Top:
Back & Sides:
Neck:
Fingerboard:
Bridge:
Body Depth:
Nut Width:
Tuning Machines:
P.U. System:
Finish:
Accessory:
GC31/GC31C
GC31:
Solid European Spruce
GC31C:
Solid American Cedar
Solid Indian Rosewood
Mahogany
Ebony
Rosewood
94-110mm (3.7”–4.33”)
52mm (2 1/16")
Gold (YTM-81)
Gloss Finish
Form Case
GC21/GC21C
GC21:
Solid European Spruce
GC21C:
Solid American Cedar
Indian Rosewood
Mahogany
Ebony
Rosewood
94-110mm (3.7”–4.33”)
52mm (2 1/16")
Gold (YTM-81)
Gloss Finish
Form Case
GCX31C
Solid European Spruce
Solid Indian Rosewood
Mahogany
Ebony
Rosewood
94-110mm (3.7”–4.33”)
52mm (2 1/16")
Gold (YTM-81)
System 49 2way
Gloss Finish
Form Case
GC41
GC21
GCX31C
GC31
CGS102A
[1/2 Scale]
School Guitar
CGX171CCA
CGX101A
CGS103A
[3/4 Scale]
School Guitar
CGX171SCF
Flamenco
CG171SCF
Flamenco
CG201S
Solid European Spruce
Solid Mahogany
Nato
Ebony
Rosewood
94-110mm (3.7"–4.33")
52mm (2 1/16")
Gold (YTM-81)
Gloss Finish
CG171SF/CGX171SCF
Flamenco
CG171SF:
Solid European
Spruce
CGX171SCF:
European Spruce
Cypress
Nato
Rosewood
Rosewood
CG171SF:
94-100mm (3.7"–3.94")
CGX171SCF:
86-92mm (3.4"–3.62")
52mm (2 1/16")
Gold (YTM-06)
CGX171SCF:
System 49 2way
Gloss Finish
CG171S/CG171C/CGX171CCA
CG171S:
Solid European Spruce
CG171C/CGX171CCA:
Solid American Cedar
Rosewood
Nato
Rosewood
Rosewood
CG171S/CG171C:
94-100mm (3.7"–3.94")
CGX171CCA:
86-92mm (3.4"–3.62")
CG171S/CG171C:
52mm (2 1/16")
CGX171CCA:
48mm (1 7/8")
Gold (YTM-06)
CGX171CCA:
System 49 2way
Gloss Finish
Top:
Back & Sides:
Neck:
Fingerboard:
Bridge:
Body Depth:
Nut Width:
Tuning Machines:
P.U. System:
Finish:
System45N/49
Two-way system includes a 3-band equalizer with adjustable midrange frequency control, a
microphone volume control with phase switch and master volume control. The Systems are
optimized for use with nylon string guitars.
CPX15II/CPX Series
Non-scalloped, X-type bracing
positioned closer to the sound hole
enhances low-end. Overall rich sound
with good response and powerful lows.
Models: CPX900, APX900,
LLX6A, LJX6CA
(System57/57CB)
Models: CPX700, APX700,
FGX730SC, FJX730SC
(System56/56CB)
CG/CS/C/CGX Series
Fan style bracing. This style of bracing
creates accurate pitch as well as rich
and balanced vibrations. It is also very
durable and offers excellent quality.
GCX
Highs are clear and bright with a
deep, robust low range.
The difference in top material gives
it its different tone.
FG720S
DSR
F370
FX370C
F310
FX310
GCX/GC Series
CGX/CG Series
A.R.T. Pickup System
Pickup System
CPX Series
LLX/LSX/LJX/LL/LS/LJ Series
Classical Guitars
FG720SL
A.R.T.(Acoustic Resonance Transducer)
Newly developed contact pickup
Unique multilayer structure achieves optimum dynamic balance.
Yamaha acoustic electric guitars have used piezoelectric pickups to
reproduce the pure sounds of the acoustic guitar. But piezoelectric pickups
tended to overreact to changes in attack, which in turn caused distortion.
To achieve ideal playability, we had to improve the way that these dynamics
were controlled.
To provide a solution to this issue, the new pickup was designed with a
multilayer structure consisting of six layers.
This dampens excessive vibration from the topboard while picking up small
resonances to achieve ideal sensitivity and outstanding dynamic balance.
Also, because the pickup is fitted directly beneath the topboard, it functions
as a transducer attached to the body.
DSR
CG131S
Solid Sitka Spruce
Nato
Nato
Rosewood
Rosewood
94-100mm (3.7"–3.94")
52mm (2 1/16")
Chrome (YTM-05)
Gloss Finish
CG151S/CG151C
CG151S:
Solid Sitka Spruce
CG151C:
Solid American Cedar
Ovankol
Nato
Rosewood
Rosewood
94-100mm (3.7"–3.94")
52mm (2 1/16")
Gold (YTM-06)
Gloss Finish
CGS102A/CGS103A/CGS104A
School Guitar
Spruce
Meranti
Nato
Rosewood
Rosewood
80-84mm
CGS102A:
535mm
CGS103A:
580mm
CGS104A:
650mm
Top:
Back & Sides:
Neck:
Fingerboard:
Bridge:
Body Depth:
Nut Width:
Tuning Machines:
P.U. System:
Finish:
Top:
Back & Sides:
Neck:
Fingerboard:
Bridge:
Body Depth:
String Scale:
CG111S/CG111C
CG111S:
Solid Spruce
CG111C:
Solid American Cedar
Nato
Nato
Rosewood
Rosewood
94-100mm (3.7"–3.94")
52mm (2 1/16")
Chrome (YTM-04)
Gloss Finish
CG101A/CGX101A
Spruce
Nato
Nato
Rosewood
Rosewood
94-100mm (3.7"–3.94")
52mm (2 1/16")
Chrome (YTM-04)
CGX101A:
System 48 1way
Gloss Finish
CGBN1
Bossa Nova
Solid European Spruce
Cypress
Nato
Nato
Rosewood
94-100mm(3.7"–3.94")
52mm (2 1/16")
Gold with Vintage Plastic Pegs
Gloss Finish
System53 for FX310A
One-way active preamp and piezo pickup system includes separate bass and treble tone
controls plus a gain control for flexible sound shaping. Battery check switch and indicator
also included.
System 55T
This is a tuner-equipped version of System55. The chromatic tuner is accurate, easy to use and
easy to view. You can use the tuning mode by pressing a single button even if you have no
cable connected. Turning the tuner on or off will not affect the output in any way.
The tuner also comes with a one-minute auto-off timer to save battery power.
OUTPUT
OUTPUT
TREBLE
TREBLE
MAIN
MAIN
BASS
BASS
OUTPUT
MAIN PICKUP
MAIN PICKUP
MAIN PICKUP
BASS
SUB PICKUP
SUB PICKUP
(BASS SIDE)
(BASS SIDE)
SUB PICKUP
(BASS SIDE)
SUB PICKUP
SUB PICKUP
(TREBLE SIDE)
(TREBLE SIDE)
SUB PICKUP
(TREBLE SIDE)
MAIN TREBLE
MASTER
MASTER
VOLUME
VOLUME
MASTER
VOLUME
This system offers individual
controls for the main pickup and two
sub pickups (bass and treble). It also
has a 3-band equalizer and Master
Volume for fine tone tailoring.
Models: CPX15II Series
(System59)
Models: NX Series (System61)
CG111C
C80
C70
C40
GL1
JR1
CS40
CG151C
CG171C
LL36
LLX26
BL
BL
BL
BS
BS
BS
BL
TBS
BS
BL
TBS
NT
NT
NT
NT
To Pre-Amp
Tone Adjuster
(Multiple Layer
Including Wood)
Brass Plate
Piezo Crystal
Copper Shield
Contact Pickup
NEW
NEW
NEW
NEW
FS720S
NEW
NEW
NEW
FGX730SC
NEW
NEW
CGS104A
[Full Scale]
School Guitar
NEW
FX/F Series
FGX/ FJX/ FG/FS Series
CPX
15
II
Series
Pickup/Preamplifier System
Acoustic & Electric Acoustic Guitars & Electric Nylon Strings
C Series
ACOUSTIC &
CLASSICAL
GUITARS
2009 PRODUCT CATALOG
FJX Series
Non-scallop, X-type bracing design.
Delivers deep lows full of presence
that are unique to the Yamaha
sound, and a clear upper end.
Response is clear and tight.
* Hokkaido: North country of Japan
3Way
A.R.T.
3Way
A.R.T.
3Way
A.R.T.
3Way
A.R.T.
3Way
A.R.T.
3Way
A.R.T.
1Way
A.R.T.
1Way
A.R.T.
3Way
A.R.T.
3Way
A.R.T.
3Way
A.R.T.
3Way
A.R.T.
3Way
A.R.T.
3Way
A.R.T.
1Way
A.R.T.
1Way
A.R.T.
DRB
OVS
OVS
OBB
OBB
BL
APX900
APX900
Solid Spruce
Flamed Maple
Nato
Rosewood
80–90mm
43mm (1 11/16")
650mm
Die-cast Gold (TM-29
G
)
System 57 3way A.R.T.
Natural (NT), Mocha Black (MBL )
Ultramarine (UM),
Crimson Red Burst (CRB)
Top:
Back & Sides:
Neck:
Fingerboard:
Body Depth:
Nut Width:
String Scale:
Tuning Machines:
P.U. System:
Color:
APX700-12
APX700L
APX700
APX700/700-12/700L
Solid Spruce
Nato
Nato
Rosewood
80–90mm
APX700:
43mm (1 11/16")
APX700-12:
46mm (1 13/16")
APX700/700L:
650mm
APX700-12:
634mm
Die-cast Chrome (TM-29)
System 56 1way A.R.T.
APX700:
Natural (NT), Black (BL),
Sand Burst (SDB),Cobalt Apua (CBA),
Dusk Sun Red (DSR)
APX700-12/APX700L:
Natural (NT)
APX500
APX500FM/APX500
APX500FM:
Flamed Maple
APX500:
Spruce
Nato
Nato
Rosewood
80–90mm
43mm (1 11/16")
634mm
Die-cast Chrome (TM-29T)
System 55T 1way
APX500:
Natural (NT),Black (BL), Oriental Blue Burst
(OBB), Old Violin Sunburst (OVS), Dark Red Burst (DRB)
APX500FM:
Oriental Blue Burst (OBB),
Old Violin Sunburst (OVS)
APX500FM
CRB
UM
MBL
NT
CBA
NT
APX Series
Scalloped X-type bracing design.
Delivers a well-balanced sound when
played acoustically. Oval soundhole
offers thicker middle highs that are
unique to the APX sound.
DSR
SDB
BL
NT
APX Series
3Way
A.R.T.
1Way
A.R.T.
1Way
A.R.T.
2Way
A.R.T.
1Way
A.R.T.
TREBLE SIDE
PICKUP
BASS SIDE
PICKUP
OUTPUT
Master Volume
Main
BASS
Treble
MAIN PICKUP
MAIN PICKUP
SUB PICKUP
SUB PICKUP
(TREBLE SIDE)
(TREBLE SIDE)
SUB PICKUP
SUB PICKUP
(BASS SIDE)
(BASS SIDE)
OUTPUT
SUB PICKUP
(BASS SIDE)
SUB PICKUP
(TREBLE SIDE)
MAIN PICKUP
BASS
BASS
MAIN
MAIN
TREBLE
TREBLE
BASS
MASTER
VOLUME
MAIN
TREBLE
Models: LX36C/26C/26/16 (System60)
Push-Push Knob
Push-Push Knob
Push-Push Knob
3-way configuration
3-way configuration
3-way configuration
2-way configuration
1-way configuration
A.R.T. Preamp Systems
A conventional contact pickup mounted underneath the saddle
vibrates freely allowing it to pick up the natural body sound. On the
other hand, it can pick up too much body sound resulting in feedback
making positioning difficult.
By comparison the A.R.T system used on the NX Series guitars
utilizes a multilayer damper in order to absorb excessive vibrations
and control feedback. System 61 consists of two pickups mounted
on the high and low sides of the guitar, each with its own control to
provide the NX Series guitars with flexible tone tailoring.
3Way
A.R.T.
3Way
A.R.T.
3Way
A.R.T.
1Way
A.R.T.
2Way
A.R.T.
NX Series
NEW
GL1/JR1/CS40
Anna Kei
Joe Bonamassa
L: Left Handed Model
12: 12 Strings
12: 12 Strings
L: Left Handed Model
12: 12 Strings
Nut Width:
Tuning Machines:
Finish:
CGS102A/CGS103A:
48mm (2 1/16")
CGS104A:
52mm (2 1/16")
Chrome (RM1252X)
Gloss Finish
Richie Kotzen
(Poison, Mr. Big,
40 deuce)
