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6

 

3.3 Dump Request

 

When the DTXTREME IIs receives dump request (reception only), it transmits 
requested bulk data.

 

$F0
$43
$7D
$2n

n: device number

$44

ID, ASCII char 'D'

$54

ID, ASCII char 'T'

$58

ID, ASCII char 'X'

$54

ID, ASCII char 'T'

type1

type, ASCII char

type2

type, ASCII char

type3

type, ASCII char

type4

type, ASCII char

numM

object number MS7bit

numL

object number LS7bit

$F7

 

Type specifies the type of bulk data.  See the bulk dump format for 
available types.

Object number specifies a unique number from multiple similar kinds 
of data (like drum kit number, song number or so on).  If the target 
data is single (like system common data, edit buffer data or so on), this 
value must be $7F $7F ($3FFF).
If the target data is a song, the DTXTREME IIs will not respond to $7F 
$7F ($3FFF).

 

4. System Common Messages

 

4.1 Song Select

 

$F3 $nn

 

nn is song number.
Reception only.

 

5. System Realtime Messages

 

Supports both transmission and reception.

 

5.1 Timing Clock

 

When the “MIDI sync mode” system parameter has a value of “ext” or “auto,” 
the DTXTREME IIs synchronizes to incoming timing clock.

 

5.2 Start, Continue, Stop

 

When the “MIDI control” system parameter is set to off, the DTXTREAME IIs 
does not receive start, continue and stop messages.

 

5.3 Active Sensing

 

Reception: If an active sensing message is received and there is no subsequent 
MIDI data coming in for more than approximately 300 milliseconds, the 
DTXTREAME IIs will mute all current sounds playing.

Transmission: The DTXTREME IIs transmits MIDI data including active sensing 
message every (approximately) 300 milliseconds.

DTXIIsDL_Eng.book Page 6 Tuesday, November 11, 2003 5:30 AM

Summary of Contents for DTXTREME IIs

Page 1: ...DTXIIsDL_Eng book Page 1 Tuesday November 11 2003 5 30 AM...

Page 2: ...a Format 3 MIDI Data Table 7 Drum Voice List 14 GM Keyboard Voice List 21 Effect Parameter List 22 Effect Parameter Description 25 MIDI Implementation Chart 27 DATA LIST DTXIIsDL_Eng book Page 2 Tuesd...

Page 3: ...dentical to that for MIDI channel 10 2 2 2 1 modulation Reception only 2 2 3 4 foot controller Supports both transmission and reception 2 2 4 6 data entry Reception only Used to specify RPN data 2 2 5...

Page 4: ...Data specifies the switch number bit0 bit5 00 3F and its status bit6 40 1 on 0 off See Data Tables for the switch number 3 1 10 parameter change F0 43 7D 1n 44 58 p1 p2 p3 p4 data1 data2 F7 n is devic...

Page 5: ...isplay Chain number 7F 7F 3FFF specifies the edit buffer See Data Tables for details of data 3 2 4 bulk dump song data F0 58 ID ASCII char X 54 ID ASCII char T 4F type ASCII char O 53 type ASCII char...

Page 6: ...is a song the DTXTREME IIs will not respond to 7F 7F 3FFF 4 System Common Messages 4 1 Song Select F3 nn nn is song number Reception only 5 System Realtime Messages Supports both transmission and rece...

Page 7: ...t 28 7 m OB127 USER CLICK MODIFY 28 8 m OB127 USER CLICK FILTER 28 9 m OB127 USER CLICK Q 28 10 m OB127 USER CLICK ATTACK 28 11 m OB127 USER CLICK DECAY 29 1 OB 800 MASTER TUNE MSB7bit 29 2 OB 800 MAS...

Page 8: ...27 PAN 13 20 0 127 CHORUS TO REVERB LEVEL A 11 parameter change Drumkit localizer note parameter P1 4 range name 21 1 PARAMETER 1 21 2 PARAMETER 2 21 3 PARAMETER 3 21 4 PARAMETER 4 21 5 PARAMETER 5 21...

Page 9: ...USER CLICK DECAY 6 bytes reserve system data type NAME UC LINK MODE UC LEARN MODE UC BYPASS UC F C OFFSET DATA UC F C OFFSET TIME UC JUMP TO RECENT PAGE UC INC PAD NO UC DEC PAD NO UC LED DISPLAY UC...

Page 10: ...AMETER 10 UC PARAMETER 11 UC PARAMETER 12 UC PARAMETER 13 UC PARAMETER 14 UC PARAMETER 15 UC PARAMETER 16 UC TYPE UC RETURN LEVEL UC PAN 1 byte reserve LOC block type NAME UC PARAMETER 1 UC PARAMETER...

Page 11: ...m range name 1 0 127 LFO frequency 2 0 127 LFO depth 3 1 127 feedback level 4 0 127 delay offset 6 4 40 EQ low frequency 7 52 76 EQ low gain 8 28 58 EQ high frequency 9 52 76 EQ high gain 10 1 127 dry...

Page 12: ...uency 7 52 76 EQ low gain 8 28 58 EQ high frequency 9 52 76 EQ high gain 10 1 127 dry wet balance 16 52 67 release C 18 2BAND EQ param range name 1 4 40 EQ low frequency 2 52 76 EQ low gain 3 28 58 EQ...

Page 13: ...frequency 14 52 76 EQ low gain 15 28 58 EQ high frequency 16 52 76 EQ high gain C 25 KARAOKE1 KARAOKE3 param range name 1 0 127 delay time 2 1 127 feedback level 3 0 52 HPF cutoff frequency 4 34 60 L...

Page 14: ...EKVFX 20 Boomer 84 TheBoot 21 BrkShot 85 VeloRoom 22 Dance1 86 Walkik 23 Dance2 87 WudPoint 24 Dance3 25 Dance4 26 Dance5 27 Dance6 28 Dance7 29 DelayBD 30 DIGIBS 31 DirtBD 32 DlayBDlo 33 DragKik 34 D...

Page 15: ...aWiRim 88 SAna2 25 AnHitRim 89 SAna3 26 AnSStick 90 SDCrunch 27 Blaaaghf 91 Sddark 28 Bowwow 92 SDdkrim 29 CapGun 93 SDind58 30 CapRim 94 SDPunch2 31 Dance 95 SDRAW1 32 Dance01 96 SDRAW2 33 Dance02 97...

Page 16: ...RC14PN 111 BCH12ab2 48 RC16PN 112 BCH14ab2 49 RC10CL 113 BCH16ab2 50 RC12CL 51 RC14CL 52 RC16CL 53 BCA10 54 BCA12 55 BCA14 56 BCA16 57 BEECH10 58 BEECH12 59 BEECH14 60 BEECH16 61 BEECH18R 62 XTMMCA10...

Page 17: ...HybridF 55 ElectrcH 56 ElectrcM 57 ElectrcL 58 ElectrcF 59 Distrt H 60 Distrt M 61 Distrt L 62 Distrt F 63 ETMooRH 64 ETMooRM G No Name G No Name 1 St Crsh1 65 SizzlRck 2 St Crsh2 66 SizzRide 3 DryCr...

Page 18: ...9 CongaG 93 Tambour4 30 CongaH 94 Timbale 31 CongaM 95 Timbal1H 32 CongaMV 96 Timbal1L 33 CongAn 97 Timbal2H 34 CongaO 98 Timbal2L 35 CongaS 99 TimCas 36 CongBe 100 TimpH 37 CongC7 101 TimpL 38 CowB1...

Page 19: ...R2 32 Cartoon3 96 PULSAR3 33 Cartoon4 97 Punch 34 CLOUDS 98 QueSPACE 35 D BFRAG1 99 RADAMACU 36 D BFRAG2 100 RUNNER 37 D BFRAG3 101 SCRUNCH 38 D BFRAG4 102 SEAMNSTR 39 D BFRAG5 103 SEMILOOP 40 DALIBAS...

Page 20: ...D3 LR 68 Count 8S 5 SD1 LR 69 Count 9S 6 SD2 LR 70 Count10S 7 SD3 LR 71 Count11S 8 SD4 LR 72 Count12S 9 SD5 LR 73 Count13S 10 SD5 TW 74 Count14S 11 SD6 LR 75 Count15S 12 SD7 LR 76 Count16S 13 TOM 1 H...

Page 21: ...e Gtr 1 93 BowedPad 2 30 Ovrdrive 1 94 MetalPad 2 31 Dist Gtr 1 95 Halo Pad 2 32 GtrHarmo 1 96 SweepPad 2 33 Bass Aco Bass 1 97 Synth Effects Rain 2 34 FngrBass 1 98 SoundTrk 2 35 PickBass 1 99 Crysta...

Page 22: ...127 FBLevel 63 63 PhseOfst 0 127 Pan L64 C R63 Cho Rev 0 127 ChoRetrn 0 127 Parameter Value RevSend 0 127 ChoSend 0 127 Parameter Value Control Dry Wet D63 W D W63 Time 0 3 30 Diffusion 0 10 InitDlay...

Page 23: ...50 LchDlay 0 0 50 0 RchDlay 0 0 50 0 Output stereo IND1 2 IND3 4 IND5 6 IND1 6 RevSend 0 127 ChoSend 0 127 MIDI Ctl 0 119 MIDI Sens 64 63 Parameter Value Control Dry Wet D63 W D W63 LFO 0 00Hz 39 7Hz...

Page 24: ...7 ChoSend 0 127 MIDI Ctl 0 119 MIDI Sens 64 63 Parameter Value Control Dry Wet D63 W D W63 LFO 0 00Hz 39 7Hz Depth 0 127 CtofOfst 0 127 Q 0 0 12 0 Output stereo IND1 2 IND3 4 IND5 6 IND1 6 RevSend 0 1...

Page 25: ...B type Level balance between the early reflections and the reverberation HiDamp High Damp Delay LCR Delay LR Attenuation of the high frequency range lower values will cause the high range to decay mor...

Page 26: ...mpressor effect NOISEGATE Time until the gate closes RevDlay Reverb Delay System Reverb only Delay time between the early reflections and the reverberation RevSend Reverb Send All types Send level of...

Page 27: ...sages Reset Mode Default Changed Note ON Note Off Key s Ch s 0 4 7 10 32 Control 1 6 11 64 71 72 73 Change 74 84 91 93 100 101 1 16 1 16 9nH v 1 127 9nH v 0 0 127 0 127 0 127 Mode 1 OMNI ON POLY Mode...

Page 28: ...Strings Guitar Percussion Division Yamaha Corporation 2003 Yamaha Corporation Printed in Taiwan WA32850 DTXIIsDL_Eng book Page 28 Tuesday November 11 2003 5 30 AM...

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