92
M
u
si
c
D
is
k
R
e
c
o
rd
e
r
7
O ut
l
i
ne
of
M
.
D .
R .
O per
at
i
on
T hough
t
he
M
.
D .
R .
i
s
as
easy
t
o
oper
at
e
as
a
casset
t
e
t
ape
r
ecor
der
,
i
t
i
s
f
ar
m
ove
ver
sat
i
l
e.
S i
nce
i
t
r
ecor
ds
al
l
E l
ect
one
set
t
i
ngs
and
cont
r
ol
m
ovem
ent
s
as
w el
l
as
t
he
not
es
you
pl
ay
as
di
gi
t
al
dat
a,
i
t
al
l
ow s
you
m
uch
m
or
e
f
l
exi
bi
l
i
t
y
and
cont
r
ol
t
han
even
t
he
m
ost
sophi
st
i
cat
ed
t
ape
r
ecor
der
.
B asi
cal
l
y,
t
he
M
.
D .
R .
i
ndependent
l
y
r
ecor
ds
t
he
f
ol
l
ow i
ng
t
hr
ee
t
ypes
of
dat
a:
1.
R egi
st
r
at
i
on
dat
a
(
i
ncl
udi
ng
B ul
k
dat
a)
A l
l
r
egi
st
r
at
i
ons
st
or
ed
t
o
t
he
R egi
st
r
at
i
on
M
em
or
y
num
ber
ed
but
t
ons
as
w el
l
as
t
he
r
egi
st
r
at
i
on
cur
r
ent
l
y
set
t
o
t
he
panel
,
ar
e
r
ecor
ded
at
t
he
begi
nni
ng
of
a
song,
bef
or
e
t
he
act
ual
r
ecor
di
ng
of
your
per
f
or
m
ance.
B ul
k
dat
a
i
s
al
so
saved
t
o
t
he
song
w i
t
h
t
he
R egi
st
r
at
i
on
dat
a.
B ul
k
dat
a
i
ncl
udes:
R egi
st
r
at
i
on
S hi
f
t
set
t
i
ngs,
R hyt
hm
P at
t
er
n
(
U ser
r
hyt
hm
s)
and
R hyt
hm
S equence
dat
a,
and
U ser
voi
ces.
2 .
P er
f
o r
m
an ce
d at
a
T he
M
.
D .
R .
r
ecor
ds
your
per
f
or
m
ance
on
t
he
keyboar
ds
and
pedal
boar
d
of
t
he
E l
ect
one
exact
l
y
as
you
pl
ay
i
t
,
even
r
ecor
di
ng
t
he
st
r
engt
h
at
w hi
ch
you
pl
ay
t
he
keys
and
how
har
d
you
pr
ess
t
hem
dow n
w hi
l
e
pl
ayi
ng.
T he
var
i
ous
t
ypes
of
per
f
or
m
ance
dat
aﾑU pper
,
L ow er
,
P edal
and
L eadﾑar
e
r
ecor
ded
t
o
i
ndependent
ﾒt
r
acks,
ﾓ
so
t
hat
you
can
change
any
one
of
t
hem
w i
t
hout
af
f
ect
i
ng
t
he
ot
her
s.
3 .
C o n t
r
o l
d at
a
A l
l
changes
you
m
ake
on
t
he
E l
ect
one
dur
i
ng
your
per
f
or
m
ance
ar
e
r
ecor
ded
i
n
r
eal
t
i
m
e.
T hes
e
i
ncl
ude
r
egi
s
t
r
at
i
on
changes,
t
he
use
of
t
he
expr
essi
on
pedal
s,
f
oot
sw i
t
ches
and
knee
l
ever
.
C hangi
ng
t
he
S ong
N am
e
1 .
P r
ess
t
he
t
op
r
i
ght
D at
a
C ont
r
ol
but
t
on
i
n
t
he
S ong
N am
e
di
spl
ay.
E di
t
S ong
N am
e
di
spl
ay
appear
s,
pr
om
pt
i
ng
you
t
o
edi
t
t
he
song
nam
e.
1
2
3
1
1
:M
oves
t
he
cur
sor
one
st
ep
t
o
t
he
l
ef
t
.
2
:S el
ect
s
t
he
l
et
t
er
,
num
ber
or
sym
bol
at
t
he
cur
r
ent
cur
sor
posi
t
i
on.
3
q
:M
oves
t
he
cur
sor
one
st
ep
t
o
t
he
r
i
ght
.
N O T E :
P r
essi
ng
1
(
3
)
w hi
l
e
hol
di
ng
dow n
t
he
C O A R S E
but
t
on
m
oves
t
he
cur
sor
t
o
t
he
f
ar
l
ef
t
(
t
he
f
ar
r
i
ght
)
.
P r
essi
ng
2
w hi
l
e
hol
di
ng
dow n
t
he
C O A R S E
but
t
on
j
um
ps
t
o
t
he
t
op
of
each
char
act
er
gr
oup,
upper
case
l
et
t
er
s,
l
ow er
case
l
et
t
er
s,
num
ber
s
and
sym
bol
s.
2 .
S el
ect
t
he
l
et
t
er
,
num
ber
or
sym
bol
you
w ant
t
o
use
by
pr
essi
ng
t
he
D at
a
C ont
r
ol
but
t
ons
cor
r
espondi
ng
t
o
2
.
3 .
P r
ess
3
(
or
1
)
t
o
m
ove
t
he
cur
sor
t
o
t
he
posi
t
i
on
at
w hi
ch
you
w ant
t
o
ent
er
t
he
l
et
t
er
,
num
ber
or
sym
bol
.
4 .
R epeat
s
t
he
above
st
eps
2 .
and
3 .
t
o
com
pl
et
e
your
song
nam
e.
U p
t
o
sevent
een
char
act
er
s
can
be
ent
er
ed.
5 .
A f
t
er
f
i
ni
shed,
sel
ect
[
S et
]
t
o
det
er
m
i
ne
t
he
nam
e.
A vai
l
abl
e
L et
t
er
s,
N um
ber
s
and
S ym
bol
s
A B C D E F G H I J K L M N O P Q R S
T U V W X Y Z a b c d e f g h i j k l
m n o p q r s t u v w x y z 0 1 2 3 4
5 6 7 8 9
! " # $ % & ' ( ) * + , -
. / : ; < = > ? @ [ \ ] ^ _ ` { | } ~
*
P r
essi
ng
2
w hi
l
e
hol
di
ng
dow n
t
he
C O A R S E
but
t
on
j
u m
p s t
o t
h e t
o p o f each ch aract
er g ro u p (t
h e
char
act
er
s
i
n
t
he
doubl
e-
squar
es)
.
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