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6

Front and rear panel

EMX3000—Owner’s Manual

Input/output panel

1

Channel input jacks (MIC, LINE) 1~8

These are the input jacks for channels 1~8.

By using the GAIN control (control panel 

1

you can connect any of the jacks to a wide range 
of sources, from mics to line-level devices 
(including synthesizers and rhythm machines). 
The MIC jacks can p48V phantom 
power, allowing you to use condenser micro-
phones.

Both MIC and LINE are balanced.

They are compatible with microphones of output 
impedance 50~600

 or line level devices of 

600

. The nominal input level is –34 dB~+10 dB 

for the LINE jacks, and –60 dB~–16 dB for the 
MIC jacks.

Pin connections for the MIC and LINE jacks are 
as follows:

* You can also connect a normal unbalanced phone plug.

2

INSERT I/O (insert) jacks 1~4

These are TRS phone jacks that enable you to 
insert an external effect processor, such as a com-
pressor/limiter, between the equalizer and fader 
of input channels 1~4. These connections require 
a special “Y” cable, such as shown in the follow-
ing diagram. The nominal input/output levels are 
0 dB.

0

A

I  O

I  O

I  O

I  O

A

A

A

A

B

B

B

B

ST
SUB 1

ST
SUB 2

+4dB

+4dB

TAPE

REC

ST 1

-10dBV

-10dBV

+4dB

ST 2

+4dB

+4dB

+4dB

+4dB

+4dB

MONI

MONI

MONO

EFFECT

FOOT SW

1

2

BRIDGE

P.AMP

IN

C-R
PHONES

9 L

11 L

L

L

L

R

L

R

R

L

9 L

10 R

12 R

R

R

10 R

11 L

12 R

(MONO)

(MONO)

(MONO)

(MONO)

9  10

11  12

INPUT

OUTPUT

L

R

L

R

1

2

3

4

5

6

7

8

INSERT

LINE

INSERT

LINE

INSERT

LINE

INSERT

LINE

LINE

LINE

LINE

LINE

MIC

MIC

MIC

MIC

MIC

MIC

MIC

MIC

INSERT

OUT IN

0dB

 I  O

B

9

3

4

2

6

C

8

5 7

1

MIC jacks

(XLR type)

LINE jacks

(TRS phone jacks) *

Pin 1: ground

Sleeve: ground

Pin 2: hot (+)

Tip: hot (+)

Pin 3: cold (–)

RIng: cold (–)

GND

R

S

T

+

-

GND

+

-

1

2

3

Note:   It is not possible to simultaneously use 
both the MIC and LINE inputs of a given chan-
nel. For each channel, use only one of the in-
puts as appropriate for the input source.
Phantom power is switched on/off simulta-
neously for channels 1~8. For this reason, de-
vices (in particular, unbalanced devices) other 
than condenser microphones must be connect-
ed to the LINE input jacks of channels 1~8 or 
channel 9/10~11/12 input jacks if the PHAN-
TOM +48V switch (control panel 

Y

) is on.

to the input jack of
the external processor

to the output jack of
the external processor

to the INSERT I/O jack

Tip

Tip

Ring

Sleeve

Sleeve

Summary of Contents for EMX3000

Page 1: ...GH MID LOW 15 15 15 15 34 16 60 10 PEAK 0 5 10 15 20 40 50 25 30 PFL 10 0 10 0 10 0 R L 15 15 GAIN MONI 1 MONI 2 EFFECT PAN HIGH MID LOW 15 15 15 15 34 16 60 10 PEAK 0 5 10 15 20 40 50 25 30 PFL 10 0 10 0 10 0 R L 15 15 GAIN MONI 1 MONI 2 EFFECT PAN HIGH MID LOW 15 15 15 15 34 16 60 10 PEAK 0 5 10 15 20 40 50 25 30 PFL 10 0 10 0 10 0 R L 15 15 GAIN MONI 1 MONI 2 EFFECT PAN HIGH MID LOW 15 15 15 15...

Page 2: ...g measures Relocate either this product or the device that is being affected by the interference Utilize power outlets that are on different branch circuit breaker or fuse circuits or install AC line filter s In the case of radio or TV interference relocate reorient the antenna If the antenna lead in is 300 ohm ribbon lead change the lead in to coaxial type cable If these corrective measures do no...

Page 3: ...d electri cal shock hazard If lightning begins to occur turn off the power switch of the unit as soon as possible and unplug the power cable plug from the electrical outlet If there is a possibility of lightning do not touch the power cable plug if it is still connected Doing so may be an electrical shock hazard Cautions Keep this unit away from the following locations Locations exposed to oil spl...

Page 4: ...monaural The main monaural mix signal is output from speaker output jack R and the monitor signal from speaker output jack L You can connect one or two speakers to each speaker output jack Monaural bridge connection The two channel power amp is bridge connected and the main monaural mix signal is output from BRIDGE jack You can connect only one speaker for a much louder sound In addition to the sp...

Page 5: ...nse is flat when the knobs are in the position Rotating it toward the right will boost the corresponding frequency band and rotating it toward the left will cut it The base frequency or center frequency range of boost or cut and equalizer type of each band are as follows HIGH 10kHz 15 dB shelving type MID 2 5kHz 15 dB peaking type LOW 100Hz 15 dB shelving type 5 Monitor 1 2 controls MONI 1 2 For e...

Page 6: ...B 1 2 jacks on the input output panel A MONI 1 monitor 1 control The MONI 1 knob adjusts the amount of the sig nal sent from the ST SUB 1 and 2 jacks input output panel 4 to the MONITOR 1 bus B MONI 2 monitor 2 control The MONI 2 knob adjusts the amount of the sig nal sent from the ST SUB 1 and 2 jacks to the MONITOR 2 bus C ST stereo control The ST knob adjusts the amount of stereo signal sent fr...

Page 7: ...set to MONI 1 MONO this fader also adjusts the level of the signal sent from the SPEAKERS R MONO 1 2 jacks to the speakers If the Power amp select switch V is set to MONO BRIDGE this fader adjusts the level of the sig nal sent from the SPEAKERS BRIDGE jack to the speaker J AFL after fader listen When this switch is on the output signal that passes through the corresponding fader is sent to the C R...

Page 8: ...ks input output panel 8 and MONO jack input output panel 0 S ON switch This switch turns the graphic equalizer on off Power amp section This section allows you to select the signals that will be sent to the built in two channel power amplifier T LIMITER indicator This indicator lights up when the level of the sig nal output from the power amp section reaches the maximum and the limiter is activate...

Page 9: ... final level of these signals is adjusted by the master MONI 1 fader and the MONO fader MONO BRIDGE The monaural signal that is a mix of the STEREO bus is output from the BRIDGE jack The final level of this signal is adjusted by the master MONO fader Set the switch to this position when you connect only one speaker to play a loud sound Other indicators and controls W Peak level indicator This indi...

Page 10: ...al input output levels are 0 dB 0 A I O I O I O I O A A A A B B B B ST SUB 1 ST SUB 2 4dB 4dB TAPE REC ST 1 10dBV 10dBV 4dB ST 2 4dB 4dB 4dB 4dB 4dB MONI MONI MONO EFFECT FOOT SW 1 2 BRIDGE P AMP IN C R PHONES 9 L 11 L L L L R L R R L 9 L 10 R 12 R R R 10 R 11 L 12 R MONO MONO MONO MONO 9 10 11 12 INPUT OUTPUT L R L R 1 2 3 4 5 6 7 8 INSERT LINE INSERT LINE INSERT LINE INSERT LINE LINE LINE LINE L...

Page 11: ...l E and the MONI 2 fader control panel F respectively to adjust the final level of the signals output from these jacks The nominal output level is 4 dB 0 MONO monaural jack This phone jack mixes the STEREO bus signals and output a monaural signal Connect an addi tional PA system here Use the MONO fader control panel I to adjust the final level of the signal output from this jack THe nominal out pu...

Page 12: ...dance When the Power amp select switch is set to MONO BRIDGE Bridge connection If you are connecting a single speaker to the BRIDGE jack use a 8 16Ω speaker The speaker outputs the MONO bus signal and the maxi mum output is 600W with 8Ω impedance If you wish to input the signal from the P AMP IN jack input it from the P AMP IN L jack 2 POWER switch This switch turns on off the power to the EMX3000...

Page 13: ...2 of SPEAKERS L MONI1 and of SPEAKERS R MONO 2 Two channel parallel connection Two speakers can be connected in parallel to both jack 1 and jack 2 of SPEAKERS L MONI1 and SPEAKERS R MONO 3 Bridge connection A single speaker can be connected to the BRIDGE jack For each of these the required speaker impedance will differ Refer to the following diagram and make sure that the speaker impedance is not ...

Page 14: ...L L L R L R R L 9 L 10 R 12 R R R 10 R 11 L 12 R MONO MONO MONO MONO 9 10 11 12 INPUT OUTPUT L R L R 1 2 3 4 5 6 7 8 INSERT LINE INSERT LINE INSERT LINE INSERT LINE LINE LINE LINE LINE MIC MIC MIC MIC MIC MIC MIC MIC INSERT OUT IN 0dB I O 88 88 Cassette deck Foot switch Microphone CD player Headphones Effect processor compressor Synthesizer Effect processor reverb Drum machine Monitor speakers Mai...

Page 15: ...tal effect allow ing reverberation or ambiance to be added to vocals or instrumental sounds 1 Connect a mic or instrument to the desired channels and adjust the volume and tone 2 Press the ON switch of the digital effect section 3 Use the PROGRAM selector to select the type of effect you wish to apply VOCAL ECHO 1 4 Echo appropriate for vocals VOCAL REVERB 1 4 Reverb appropriate for vocals HALL 1 ...

Page 16: ...3 VOCAL REVERB 4 VOCAL ECHO 2 VOCAL ECHO 3 VOCAL ECHO 4 10 0 10 0 GRAPHIC EQUALIZER ON 8K 4K 2K 1K 500 250 125 8K 4K 2K 1K 500 250 125 6 0 6 12 12 6 0 6 12 12 POWER AMP ST1 L MONI 1 MONO BRIDGE ST1 R MONO LIMITER LEVEL BRIDGE 4 18 4 18 L R POWER ST 1 L R PHANTOM 48V ON OFF C R PHONES ST 2 1 8ch 8 5 3 1 0 1 3 5 7 10 15 20 10 0 10 0 PEAK PFL A B GAIN 34 10 10 0 10 0 10 0 R L 15 15 MONI 1 MONI 2 EFFE...

Page 17: ... 10 0 GRAPHIC EQUALIZER ON 8K 4K 2K 1K 500 250 125 8K 4K 2K 1K 500 250 125 6 0 6 12 12 6 0 6 12 12 POWER AMP ST1 L MONI 1 MONO BRIDGE ST1 R MONO LIMITER LEVEL BRIDGE 4 18 4 18 L R POWER ST 1 L R PHANTOM 48V ON OFF C R PHONES ST 2 1 8ch 8 5 3 1 0 1 3 5 7 10 15 20 10 0 10 0 PEAK PFL A B GAIN 34 10 10 0 10 0 10 0 R L 15 15 MONI 1 MONI 2 EFFECT PAN HIGH MID LOW 15 15 15 15 PEAK 0 5 10 15 20 40 50 25 3...

Page 18: ...Set the EFFECT fader of the master sec tion to the 10 position 2 Raise the EFFECT controls for the channels to which you want the external effect to be applied 3 Use the EFFECT fader in the master sec tion to adjust the level of the signal out put to the external effects processor so that the sound will not be distorted at the input of the external effects processor 4 Use the control of the ST SUB...

Page 19: ...IN MONI 1 MONI 2 EFFECT PAN HIGH MID LOW 15 15 15 15 34 16 60 10 PEAK 0 5 10 15 20 40 50 25 30 PFL 10 0 10 0 10 0 R L 15 15 GAIN MONI 1 MONI 2 EFFECT PAN HIGH MID LOW 15 15 15 15 34 16 60 10 PEAK 0 5 10 15 20 40 50 25 30 PFL 10 0 10 0 10 0 R L 15 15 GAIN MONI 1 MONI 2 EFFECT PAN HIGH MID LOW 15 15 15 15 34 16 60 10 PEAK 0 5 10 15 20 40 50 25 30 PFL 10 0 10 0 10 0 R L 15 15 GAIN MONI 1 MONI 2 EFFEC...

Page 20: ...inimum Maximum voltage gain 91 dB MIC IN to SPEAKER OUT CH 1 8 64 dB MIC IN to ST OUT CH 1 8 38 dB LINE IN to ST OUT CH 1 8 38 dB ST IN to ST OUT CH 9 10 11 12 70 dB MIC IN to EFFECT SEND CH 1 8 64 dB MIC IN to MONITOR OUT CH 1 8 Crosstalk at 1 kHz 70 dB adjacent input 70 dB input to output MIC IN gain control 44 dB variable POWER AMP level control 14 dB variable Input channel equalization HIGH 10...

Page 21: ...PHONE JACK I O 4 4 Unbalanced T OUT R IN S GND POWER AMP IN L R 4 dB 1 23 V 5 5 POWER AMP level control maximum 4 In these specifications when dB represents a specific voltage 0 dB is referenced to 0 775 Vrms 0 dBV is referenced to 1 Vrms 18 dB 6 16 V 5 PHONE JACK3 Output terminals Actual source impedance For use with nominal Output level Connectors on mixer Nominal Max before cliping ST OUT 1 2 L...

Page 22: ...Dimensions Specifications are subject to change without prior notice For European Model Purchaser User Information specified in EN55103 1 and EN55103 2 Inrush Current 85A Conformed Environment E1 E2 E3 and E4 168 W 480 D 454 H 125 286 Units mm ...

Page 23: ...B 0dB 0dB GAIN Trim 60dB 16dB 34dB 10dB GAIN Trim 34dB 10dB PEAK PEAK Ch Fader ST Ch Fader Lo Hi Mid Lo Hi Mid L MONO L MONO R R R L R L A B PFL AFL ST ST ST MONITOR 1 MONITOR 2 MONITOR 1 MONITOR 2 PFL PFL 4dB PAD 4dB PAD DIGITAL EFFECT AFL SUM 0dB AFL SUM 0dB AFL SUM 0dB 12dB AFL SUM 0dB 0dB 0dB PROGRAM PARAMETER AFL PAD PAD REC OUT ST 2 ST 1 POWER AMP IN L BRIDGE ST L MONI 1 BRIDGE ST R MONO BRI...

Page 24: ...YAMAHA CORPORATION V699500 R0 1 IP 24 Pro Audio Digital Musical Instrument Division P O Box 3 Hamamatsu 430 8651 Japan NP Printed in Taiwan ...

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