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13

EMX2000—Owner’s Manual

Basic operation

Connecting microphones 
and instruments

1

Before connecting mics or instruments, 
make sure that the power of all equip-
ment (where applicable) is turned off. 
Also make sure that each channel fader 
and the faders in the master section are 
turned down. Check to see if the Power 
amp select switch on the control panel is 
set to ST L-ST R.

2

Connect cables to your mics and instru-
ment, and insert the other end of the 
cables firmly into the appropriate MIC/
LINE jacks (channels 1~8) or the 9~12 
jacks (channels 9/10~11/12).

3

Turn on the power to the peripheral 
devices, then turn on the power to the 
EMX2000.

4

While speaking into the mic (or while 
playing the instrument), adjust the chan-
nel GAIN control so that the channel 
PEAK indicator lights occasionally at the 
maximum volume.

5

Raise the ST1 fader in the master section 
to the “10” position, and while speaking 
into the mic (or while playing the instru-
ment), adjust the channel fader so that 
the 0 LED of the peak level indicator lights 
occasionally. Use the LEVEL control to 
adjust the maximum level of the speakers.

6

If you wish to adjust the tone of each 
channel, rotate the equalizer controls as 
desired.

7

Use the graphic equalizer and the ST 
fader in the master section to adjust the 
overall volume and tone.

Using the digital effect

The EMX2000 has a built-in digital effect, allow-
ing reverberation or ambiance to be added to 
vocals or instrumental sounds.

1

Connect a mic or instrument to the 
desired channels, and adjust the volume 
and tone.

2

Press the ON switch of the digital effect 
section.

3

Use the Effect selector to select the type 
of effect you wish to apply.

VOCAL ECHO 1~4 ....... Echo appropriate for 

vocals.

VOCAL REVERB 1~4.... Reverb appropriate for 

vocals.

HALL 1~3............ Reverb typical of a large hall.

ROOM ................. Reverb typical of a small room.

PLATE 1~3 .......... Plate echo-like reverberation

GATE REVERB ... Special effect of truncating 

reverberation

4

Raise the EFFECT control of the channels 
to which you wish to apply the digital 
effect.

5

Use the ST control of the digital effect 
section to adjust the level of the effect 
sound.

6

Raise the EFFECT control of the digital 
effect section to the desired level.

Note:   You cannot use channel 1~8 MIC and 
LINE jacks at the same time.

Note:   When turning the power off, reverse 
this sequence.

Note:   The volume level is affected by the set-
tings of the channel equalizers and the graphic 
equalizer. When you set the equalizers, check 
the peak level indicator and adjust the ST fader 
if necessary.

Note:   You can send the effect sound to the 
MONITOR 1/2 bus by raising the MONI 1/2 
control in the digital effect section. If the effect 
sound is distorted even though the ST control 
and the MONI 1/2 controls in the digital effect 
section are turned all the way down, lower the 
EFFECT controls of the digital effect section.

Note:   The setting of the EFFECT fader in the 
master section does not affect the internal ef-
fect.

Summary of Contents for mix EMX 2000

Page 1: ...6 5 PFL 10 0 MONI 1 10 0 MONI 2 EFFECT PAN 10 0 R L 15 15 HIGH 15 15 MID 15 15 LOW 34 10 GAIN 60 16 4 PFL 10 0 MONI 1 10 0 MONI 2 EFFECT PAN 10 0 R L 15 15 HIGH 15 15 MID 15 15 LOW 34 10 GAIN 60 16 3...

Page 2: ...ne of the following measures Relocate either this product or the device that is being affected by the interference Utilize power outlets that are on different branch circuit breaker or fuse circuits o...

Page 3: ...wo speakers to each speaker output jack Monaural main bridge connection The two channel power amp is bridge con nected and the main monaural mix signal is out put from BRIDGE jack You can connect only...

Page 4: ...e internal circuitry voids the warranty 5 Always power off before making connec tions Always turn the power OFF before connecting or disconnecting cables This is important to pre vent damage to the un...

Page 5: ...is flat when the knobs are in the position Rotating it toward the right will boost the corresponding frequency band and rotating it toward the left will cut it The base frequency or center frequency...

Page 6: ...ed to the ST SUB 1 2 jacks on the input output panel A MONI 1 monitor 1 control The MONI 1 knob adjusts the amount of the sig nal sent from the ST SUB 1 and 2 jacks input output panel 4 to the MONITOR...

Page 7: ...1 MONO this fader also adjusts the level of the signal sent from the SPEAKERS R 1 2 jacks to the speakers If the Power amp select switch V is set to MONO BRIDGE this fader adjusts the level of the sig...

Page 8: ...acks input output panel 8 and MONO jack input output panel 0 S ON switch This switch turns the graphic equalizer on off Power amp section This section allows you to select the signals that will be inp...

Page 9: ...als is adjusted by the master MONI 1 fader and the MONO fader MONO BRIDGE The monaural signal that is a mix of the STEREO bus is output from the BRIDGE jack The final level of this signal is adjusted...

Page 10: ...al input output levels are 0 dB MONO 4dB FOOT SW MONI MONI MONO PAMP IN 2 EFFECT 4dB PHONES C R OUT 4dB 8 7 6 5 4 3 2 1 A A R ST 1 L R R R ST 2 1 L L REC 10dBV R L TAPE R L L ST SUB 2 MONO L R ST SUB...

Page 11: ...fader control panel F respectively to adjust the final level of the signals output from these jacks The nominal output level is 4 dB 0 MONO monaural jack This phone jack mixes the STEREO bus signals...

Page 12: ...er channel The maximum output is 200W 200W with two 4 speakers If you wish to use two speakers per channel use 8 16 speakers The maximum output is 200W 200W with 8 impedance When the Power amp select...

Page 13: ...m can be connected to the ST 1 2 MONO and MONI 1 2 jacks on the front panel Connecting a single speaker to the BRIDGE jack Connecting one speaker to each of the L R jacks Connecting two speakers to ea...

Page 14: ...ect allow ing reverberation or ambiance to be added to vocals or instrumental sounds 1 Connect a mic or instrument to the desired channels and adjust the volume and tone 2 Press the ON switch of the d...

Page 15: ...REVERB 2 VOCAL REVERB 3 VOCAL REVERB 4 HALL 1 HALL 2 HALL 3 ROOM PLATE 1 PLATE 2 PLATE 3 GATE REVERB 15 15 HIGH PEAK PEAK PEAK 15 15 MID 15 15 LOW 34 10 GAIN 60 16 9 10 PFL 34 10 GAIN 10 0 MONI 1 10...

Page 16: ...PEAK 15 15 MID 15 15 LOW 34 10 GAIN 60 16 9 10 PFL 34 10 GAIN 10 0 MONI 1 10 0 MONI 2 EFFECT BAL 10 0 R L 15 15 HIGH 15 15 MID 15 15 LOW 8 PFL 10 0 MONI 1 10 0 MONI 2 EFFECT PAN 10 0 R L 15 15 HIGH 15...

Page 17: ...RB 2 VOCAL REVERB 3 VOCAL REVERB 4 HALL 1 HALL 2 HALL 3 ROOM PLATE 1 PLATE 2 PLATE 3 GATE REVERB 15 15 HIGH PEAK PEAK PEAK 15 15 MID 15 15 LOW 34 10 GAIN 60 16 9 10 PFL 34 10 GAIN 10 0 MONI 1 10 0 MON...

Page 18: ...trol at maximum 80 dB EFFECT SEND MONITOR OUT Master fader at maximum level and all channel level controls at minimum Maximum voltage gain 91 dB MIC IN to SPEAKER OUT CH 1 8 64 dB MIC IN to ST OUT CH...

Page 19: ...15 5 mV 10 dB 2 45 V 14 dB 155 mV 30 dB 24 5 V PHONE JACK TRS 2 ST INPUT 9 12 MAX MIN 10 k 600 Lines 34 dB 15 5 mV 10 dB 2 45 V 14 dB 155 mV 30 dB 24 5 V PHONE JACK3 ST SUB IN 1 2 10 k 600 Lines 4 dB...

Page 20: ...19 EMX2000 Owner s Manual Dimensions Unit mm 167 6 W 480 D 454 H 125 277 7...

Page 21: ...GRAM FOOT SW DSP EFFECT PEAK A B 10R 12R 9L 11L 10R 12R 9L 11L 11 12 INPUT 9 10 MONO B A L MONO L R ST SUB 1 2 to to from from IN R P AMP ST 1 ON LINE LINE INPUT 5 8 INPUT 1 4 TAPE R EFFECT MONITOR AF...

Page 22: ...YAMAHA CORPORATION VZ42360 R1 1 IP 24 Pro Audio Division 18 3 P O Box 3 Hamamatsu 430 8651 Japan NP Printed in Taiwan...

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