Editing a Normal Voice
MOTIF XF Reference Manual
63
V
oice mode
Song mode
P
a
tt
er
n mode
Mixing mode
Mast
er mode
Utility mode
F
ile mode
P
erf
or
mance
mode
Sampling
mode 1
Sampling
mode 2
R
e
fe
rence
each-on
The LFO resets with each note you play and starts a waveform at the
phase specified by the Phase parameter (above).
n
When the Wave is set to “S/H1” or “S/H2,” the Play Mode is set
to “one shot,” and the Key On Reset is set to “each-on,” the
initial phase differs each time the note is pressed. With this
setting, realistic tonal variations can be produced when hitting
the drum repeatedly.
1st-on
The LFO resets with each note you play and starts a waveform at the
phase specified by the Phase parameter (above). If you play a second
note while the first is being held, the LFO continues cycling according
to the same phase as triggered by the first note. In other words, the
LFO only resets if the first note is released before the second is played.
n
The starting phase is determined by the Phase parameter (
4
)
although the starting phase is shown as 0 in the illustration.
8
Random Speed
Determines the degree to which the LFO speed changes at
random. A setting of “0” results in the original speed.
Higher values result in a larger degree of speed change.
This parameter cannot be set when the Tempo Sync (
5
) is
set to on.
Settings:
0 – 127
9
Delay*
Determines the delay time between the moment you press
note on the keyboard and the moment the LFO comes into
effect. A higher value results in a longer delay time.
Settings:
0 – 127
)
Fade In Time
Determines the amount of time for the LFO effect to fade in
after the Delay time has elapsed. A higher value results in a
slower fade-in. When set to “0,” the LFO effect will not fade
in and reach the maximum level immediately after the
Delay time has elapsed.
Settings:
0 – 127
!
Hold (Hold Time)
Determines the length of time for which the LFO is held at
its maximum level. A higher value results in a longer Hold
time. A setting of 127 produces no fade out.
Settings:
0 – 126, hold
@
Fade Out Time
Determines the amount of time for the LFO effect to fade
out (after the Hold time has elapsed). A higher value results
in a slower fade-out.
Settings:
0 – 127
From this display you can select the destination parameter
for the LFO (which aspect of the sound the LFO controls),
the Elements to be affected by the LFO, and the LFO
Depth. Three Destinations can be assigned, and you can
choose from several parameters per Destination.
1
Control Dest (Control Destination)*
Determines the parameters which are to be controlled
(modulated) by the LFO Wave.
Settings:
insA1 – insA16, insB1 – insB16, insL1 – insL32, A mod, P
mod, F mod, reso, pan, LFOspd
insA1 – insA16, insB1 – insB16, insL1 – insL32 (Effect parameters)
Each parameter of the selected Effect type is modulated cyclically.
When one of those parameters is selected, the corresponding
parameter name of the selected Effect type is shown at the lower
section of the display.
A mod (Amplitude Modulation Depth)
A tremolo effect produced by cyclically modulating the volume.
P mod (Pitch Modulation Depth)
A vibrato effect produced by cyclically modulating the pitch.
F mod (Filter Modulation Depth)
A wah effect produced by cyclically modulating the tonal brightness.
reso (Resonance)
A special wah effect produced by cyclically modulating the resonance.
pan
An effect produced by cyclically modulating the stereo pan position.
LFOspd (Element LFO Speed)
When this is selected, the Common LFO speed cyclically modulates
the Element LFO speed.
2
Control Depth*
Determines the LFO Wave Depth.
Settings:
0 – 127
3
Element Switch 1 – 8*
Determines whether or not each Element is to be affected
by the LFO.
Settings:
B
(active),
A
(inactive)
4
Depth Offset 1 – 8
Determines the offset values of the Control Depth
parameter (above) for the respective Elements. If the
resultant Control Depth value is less than zero it will be set
Key On
(first note)
Key On
(second note)
Time
Key On
(first note)
Key On
(second note)
Time
LFO Effect Settings—[SF2] Set
(Common LFO Set)
1
2
5
3
4
3
4
3
4
