MU128 EFFECT
7
No.
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
MSB
40H
01H
01H
02H
02H
02H
03H
03H
04H
05H
06H
07H
08H
14H
14H
14H
41H
41H
41H
41H
42H
42H
42H
42H
43H
43H
43H
44H
57H
45H
46H
47H
48H
49H
4AH
4BH
4CH
4DH
4EH
52H
52H
51H
53H
54H
LSB
00H
00H
01H
00H
01H
02H
00H
01H
00H
00H
00H
00H
00H
00H
01H
02H
00H
01H
02H
08H
00H
01H
02H
08H
00H
01H
08H
00H
00H
00H
00H
00H
00H
00H
00H
00H
00H
00H
00H
00H
08H
00H
00H
00H
Effect Type
THRU
HALL 1
HALL 2
ROOM 1
ROOM 2
ROOM 3
STAGE 1
STAGE 2
PLATE
DELAY L,C,R
DELAY L,R
ECHO
CROSS DELAY
KARAOKE 1
KARAOKE 2
KARAOKE 3
CHORUS 1
CHORUS 2
CHORUS 3
CHORUS 4
CELESTE 1
CELESTE 2
CELESTE 3
CELESTE 4
FLANGER 1
FLANGER 2
FLANGER 3
SYMPHONIC
ENSEMBLE DETUNE
ROTARY SPEAKER
TREMOLO
AUTO PAN
PHASER 1
DISTORTION
OVER DRIVE
AMP SIMULATOR
3BAND EQ(MONO)
2BAND EQ(STEREO)
AUTO WAH(LFO)
TOUCH WAH 1
TOUCH WAH 2
HARMONIC ENHANCER*
COMPRESSOR
NOISE GATE
Remarks
Bypass without applying an effect.
Reverb simulating the acoustics of a hall.
˝
Reverb simulating the acoustics of a room.
˝
˝
Reverb appropriate for a solo instrument.
˝
Reverb simulating a metal plate reverb device.
Three delay sounds L, R and C (center).
Two delay sounds L and R, with two feedback delays.
Two delays L and R, with independent feedback delay for L and R.
This effect crosses the feedback of two delays.
Echo for karaoke.
˝
˝
Conventional chorus effect which gives natural spaciousness to the sound.
˝
˝
˝
A three-phase LFO is used to give modulation and spaciousness to the sound.
˝
˝
˝
An effect reminiscent of a jet airplane taking off and landing.
˝
˝
A multi-stage version of CELESTE modulation.
Chorus effect without modulation, created by adding a slightly pitch-shifted sound.
Simulation of a rotary speaker. AC1 (assignable controller 1) etc. can be used to control the rotation speed.
An effect which cyclically modulates the volume.
An effect which cyclically moves the sound between left/right and front/back.
Cyclically changes the phase to modulate the sound.
Adds distortion with an edge to the sound.
Adds mild distortion to the sound.
Simulation of a guitar amp.
Mono EQ with equalization of LOW, MID and HIGH.
Stereo EQ with equalization of LOW and HIGH. Ideal for Drum Parts.
Cyclically changes the center frequency of a wah filter. Can also be used with AC1 etc. as a pedal wah.
Changes the center frequency of a wah filter according to the input level. Can also be used with AC1 etc. as a pedal wah.
Changes the center frequency of a wah filter according to the input level. Can also be used with AC1 etc. as a pedal wah.
This effect adds new overtones to the input signal to make the sound stand out.
Holds down the output when the input exceeds a specified level. Can also be used to add a sense of attack to the sound.
Gates the input when the input signal falls below a specified level. Useful for cutting noise from the A/D input, etc.
* The Harmonic Enhancer produces the same effect as its MU series predecessor.
Effect Type List
INSERTION1,2
Summary of Contents for MU128
Page 1: ...SOUND LIST MIDI DATA...
Page 111: ...112 MU128 VOICE MEMO...
Page 112: ...MU128 VOICE 113 MEMO...
Page 113: ...114 MU128 VOICE MEMO...
Page 114: ...M D G EMI Division c Yamaha Corporation 1998 Printed in Japan V248520 807CMIT2 3 02B0...