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Effect Program List
REVERB
No. Effect Type
Features
1 NO EFFECT
Effect off.
2 HALL1
Concert hall reverb.
3 HALL2
Concert hall reverb.
4 ROOM1
Small room reverb.
5 ROOM2
Small room reverb.
6 ROOM3
Small room reverb.
7 STAGE1
Reverb for solo instruments.
8 STAGE2
Reverb for solo instruments.
9 PLATE
Simulated steel plate reverb.
10 WHITE ROOM
Distinctive short reverb with initial delay.
11 TUNNEL
Simulation of long tunnel-like space.
12 CANYON
Long, cavernous reverb.
13 BASEMENT
Small, highly reflective room reverb.
CHORUS
No. Effect Type
Features
1 NO EFFECT
Effect off.
2 CHORUS1
Conventional chorus program with rich, warm chorusing.
3 CHORUS2
Conventional chorus program with rich, warm chorusing.
4 CHORUS3
Conventional chorus program with rich, warm chorusing.
5 CELESTE1
Three-phase LFO for richer, more pronounced chorusing.
6 CELESTE2
Three-phase LFO for richer, more pronounced chorusing.
7 CELESTE3
Three-phase LFO for richer, more pronounced chorusing.
8 FLANGER 1
Pronounced three-phase modulation with slight metallic sound.
9 FLANGER 2
Pronounced three-phase modulation with slight metallic sound.
10 SYMPHONIC
Exceptionally rich & deep chorusing.
11 PHASER
Pronounced, metallic modulation with periodic phase change.
VARIATION
No. Effect Type
Features
1 NO EFFECT
Effect off.
2 HALL1
Concert hall reverb.
3 HALL2
Concert hall reverb.
4 ROOM1
Small room reverb.
5 ROOM2
Small room reverb.
6 ROOM3
Small room reverb.
7 STAGE1
Reverb for solo instruments.
8 STAGE2
Reverb for solo instruments.
9 PLATE
Simulated steel plate reverb.
10 DELAY L,C,R
Three independent delays, for the left, right and center stereo positions.
11 DELAY L,R
Initial delay for each stereo channel, and two separate feedback delays.
12 ECHO
Stereo delay, with independent Feedback Level controls for each channel.
13 CROSS DELAY
Complex effect that sends the delayed repeats “bouncing” between the left and right channels.
14 ER1
Early reflections only.
15 ER2
Early reflections only.
16 GATE REVERB
Gated reverb effect, in which the reverberation is quickly cut off for special effects.
17 REVERSE GATE
Similar to Gate Reverb, but with a reverse increase in reverb.
18 KARAOKE1
Deep echo effects, suited especially for Karaoke-type vocals.
19 KARAOKE2
Deep echo effects, suited especially for Karaoke-type vocals.
20 KARAOKE3
Deep echo effects, suited especially for Karaoke-type vocals.
21 CHORUS1
Conventional chorus program with rich, warm chorusing.
22 CHORUS2
Conventional chorus program with rich, warm chorusing.
23 CHORUS3
Conventional chorus program with rich, warm chorusing.
24 CELESTE1
Three-phase LFO for richer, more pronounced chorusing.
25 CELESTE2
Three-phase LFO for richer, more pronounced chorusing.
26 CELESTE3
Three-phase LFO for richer, more pronounced chorusing.
27 FLANGER 1
Pronounced three-phase modulation with slight metallic sound.
28 FLANGER 2
Pronounced three-phase modulation with slight metallic sound.
29 SYMPHONIC
Exceptionally rich & deep chorusing.
30 ROTARY SPEAKER
Rotary speaker simulation. Rotation speed can be controlled using AC1 (Assignable Controller 1).
31 TREMOLO
Rich Tremolo effect with both volume and pitch modulation.
32 AUTO PAN
Several panning effects that automatically shift the sound position (left, right, front, back).
33 PHASER
Pronounced, metallic modulation with periodic phase change.
34 DISTORTION
Hard-edge distortion.
35 OVERDRIVE
Mild, warm distortion.
36 AMP SIMULATOR
Simulated guitar amplifier sound.
37 3BAND EQ(MONO)
Mono EQ, with Low, Mid and High band controls.
38 *2BAND EQ(STEREO) Stereo EQ program with low and high frequency controls; ideal for tweaking drum parts. (Cannot be used with A/D input.)
39 AUTO WAH(LFO)
Repeating filter sweep “wah” effect; also serves as pedal wah (with AC1).
40 PITCH CHANGE
Independent left, right channel pitch change.
41 AURAL EXCITER
Enhances the sound by giving it greater definition, presence and clarity.
42 TOUCH WAH
Wah effect that varies filter sweep according to input level (or touch); also serves as pedal wah (with AC1).
43 TOUCH WAH+DIST
Same as Touch Wah, but with added Distortion.
44 COMPRESSOR
Affects the dynamics of the sound by smoothing out the high-volume peaks and soft-volume dips.
45 NOISE GATE
Eliminates any noise or hum in the signal.
46 THRU
Effect bypass; no effect applied.
*2BAND EQ(STEREO) voice cannot be used with A/D input.
DISTORTION
No. Effect Type
Features
1 THRU
Effect off.
2 DISTORTION
Hard-edge distortion.
3 OVERDRIVE
Mild, warm distortion.
4 3BAND EQ(MONO)
Mono EQ, with Low, Mid and High band controls.
