94
P-250
Appendix
Application Index
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Listening and playing
• Listening to a demo song . . . . . . . . . . . . . . . . . . . . . . . . . . . . “Listening to Demo and Preset Songs” on page 24
• Selecting and playing a voice (sound of a musical instrument) . . . . . . . . . . . . . . . “Selecting a Voice” on page 34
• Viewing a list of panel sounds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . “Selecting a Voice” on page 34
• Playing separate sounds in low and high keyboard ranges . . . . . . . . . . . . . . .“Playing in Split Mode” on page 36
• Changing the part played by the keyboard . . . . . . . . . . . . . . . . [MIDI SETTING]—[MidiOutChannel] on page 74
• Selecting the velocity response (touch sensitivity) . . . . . . . . . [OTHER SETTING]—[TouchResponse] on page 76
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Using the controllers
• Connecting a foot controller (pedal). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . “Connecting Pedals” on page 23
• Adjusting the range of pitch change for the pitch bend wheel . . .[OTHER SETTING]—[PitchBendRange] on page 79
• Assigning a specific function
to the pedal/foot controller/foot switch. . . . . . [VOICE EDIT]—[Pedal 1] [Pedal 2] [Pedal 3] [Pedal 4]
• Using the foot switch to start/stop the sequencer . . . . . . . . . . [OTHER SETTING]—[PedalStart/Stop] on page 78
• Assigning a specific function to the modulation wheel. . . . . . . . . . . . . [VOICE EDIT]—[Modulation] on page 69
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Changing the sound
• Layering two voices (parts). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . “Playing in Dual Mode” on page 35
• What sounds can I choose?
. . . . . . . . . . . . . . . . . . . . “Preset Voice List” on page 90, “XG Voice List” on page 6 of the separate “Data List”
• Applying reverberation (reverb) to the sound . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . “Reverb” on page 37
• Adding spaciousness (chorus) to the sound . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . “Chorus” on page 37
• Learning about the effect types. . . . . . . . . . . . . . . . . “XG Effect Type List” on page 12 of the separate “Data List”
• Making the tone brighter or darker easily . . . [MASTER EQ EDIT] “Setting the Master Equalizer type” on page 71
• How can I modify the sound? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . “Editing” on page 58
• Adjusting the gain of the Master Equalizer . . . . . . . . . . . . . . . . . . . . . . “Using the Master Equalizer” on page 38
• Modifying the settings of the Master Equalizer . . . . . . . . . . . . . . . . . . . . . . . . . . . [MASTER EQ EDIT] on page 71
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Changing the pitch
• Adjusting the pitch offset between two Dual parts . . . . . . . . . . . . . . . . . . . [VOICE EDIT]—[Detune] on page 66
• Transposing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [OTHER SETTING]—[Transpose] on page 77
• Tuning to another instrument . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [OTHER SETTING]—[Tune] on page 76
• Matching the pitch curve to another instrument . . . . . . . . . [OTHER SETTING]—[PianoTuningCurve] on page 76
Summary of Contents for P-250
Page 56: ...MEMO 56 P 250 Edit Operation ...
Page 80: ...MEMO 80 P 250 Appendix ...