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2009

SG2000

SG3000

SG-3

BB2000

BB3000

RGXA2

Leading the electric guitar 
and guitarists into the future 
- this is our mission

Th

 e fi rst Yamaha electric guitar, the SG3, was introduced back in1966. Its radical body design 

and tremolo system captured not only the attention of the day’s youth, but professional guitarists 
as well. It was more than looks though that made these guitars great. Frets, bridges, and tuners de-
livered performance that was accurate and stable—a quality inherited from the company’s piano 
manufacturing roots. And these early guitars off ered features that were far ahead of their time 
- like volume and tone controls with preset settings that could be recalled during performance. 
From these fi rst guitars, we felt it our mission to evolve the guitar.
From that point to the present, we have concentrated on refi ning every aspect of our guitars and 
have broadened the spectrum of instruments we produce, developing a wide range of electric and 
bass models . And as each instrument has undergone evaluation, new ideas and improvements 
have been brought into being.
As heavier music styles gained in popularity the need for a thick, powerful tone increased. To 
meet this demand, the SG series guitars evolved into instruments with larger bodies, thicker set 
necks and humbucking pickups while their tremolo units disappeared from the bridge. Th

 is was 

the origin of the classic Yamaha SG. 
Th

  e SG30 and SG35, predecessors to the SG2000, were introduced in 1973. Th

 ese instruments 

captivated guitarists with their double-cutaway bodies and dual humbucking pickups. Players 
longing for a professional level SG were rewarded the next year with the introduction of the 
SG175. Yamaha devoted the full breadth of its know-how into the development of this instru-
ment, and the resulting superior quality was exactly what players had been waiting for. Based on 
the SG175, development of the SG2000 started in 1976 with a focus on creating and maximising 
smooth, rich sustain. Th

  e SG2000 created quite a stir among guitarists all over the world with its 

original one-piece structure, accomplished design, superior sound, well-designed hardware, and 
remains to this day a player’s favourite.
About the same time, our all-original BB series basses made their debut fi lling in the low end of 
the sonic spectrum. Its original design and outstanding tone quickly caught on among pro bass-
ists. Th

  e BB2000 with its through neck design became especially popular - players were taken 

with its superior quality, tone, and playability. Since that time, research and development over the 
years has produced a wide variety of instruments such as the Pacifi ca, RGX, AES, RBX, TRB, 
and Attitude lines. Our goal has always been to provide new ideas, sounds, functions, and designs 
that inspire the musician’s creativity and meet the demands of the time. Our body designs cover 
construction types from the most traditional to the ultra-modern  and development of instru-
ments such as the Drop 6 and Fretwave equipped AES-FG have opened up new doors to what 
instruments and players can do. 
Along with instrument design, hardware and pickup design has always been of great importance 
and has produced a great number of innovations in bridges, machineheads, nuts and the other 
components that make an instrument what it is .
One of our most recent breakthrough technologies is Initial Response Acceleration, a technique 
applied to the SG1000, SG2000 and SG3000 guitars. Years of research and development into 
instrument construction - not only guitars, but pianos, wind instruments, drums, and electronic 
instruments—has resulted in an extensive knowledge and technology base from which we can 
draw upon. Initial Response Acceleration, which was fi rst utilized on woodwind instruments 
and violins, is just one of the fruits of this wealth of knowledge and technology. Th

 e RGXA2 

and RBXA2 series represent another recent technological breakthrough. Development of this 
series focused on lightening the instrument so as to provide a better connection between the 
instrument and player while keeping sound and tone quality high. Th

  ese instruments are certain 

to bring about changes in playing styles, and may even create a whole new category of users due 
to their very light weight. As times call for new sounds, guitar and bass designs require change, 
but at the same time there are sounds that are timeless and need no change. Th

  rough our unique 

ability to combine both tradition and innovation, we can provide guitarists and bassists with in-
struments that off er and improve upon the best of both worlds. We hope that you anticipate with 
excitement what the future holds for our guitars and basses.

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Summary of Contents for PAC012DLX

Page 1: ...LEG0907CB Printed in Japan This document is printed on chlorine free ECF paper with soy ink ELECTRIC GUITARS BASSES 2009 Product Catalog ...

Page 2: ...eries basses made their debut filling in the low end of the sonic spectrum Its original design and outstanding tone quickly caught on among pro bass ists The BB2000 with its through neck design became especially popular players were taken with its superior quality tone and playability Since that time research and development over the years has produced a wide variety of instruments such as the Pac...

Page 3: ...ck delivered greater attack making it highly popular among rock guitarists When we set out to design the top of the line SBG3000 we drew upon the knowledge and technologies gained from the SBG3000 and SBG1000 to pursue a tone that is richer more natural and woodier While the sustain plate was sacrificed in the pursuit of this tone we utilized a through neck and T Cross maple design along with some...

Page 4: ...i Open Humbucking Pickup This original pickup was developed with an Alnico V alloy magnet for use on the SBG It produces a fat sound that is sweet and rich Other original Yamaha designs utilized here are the semi open cover which contributes both to noise prevention and power output and triple support escutcheon which adjusts pickup height and angle T Cross Maple Neck Through Design SBG2000 Body a...

Page 5: ... unique characteristics original bridge and pickup systems were developed the resulting tone and response shattering the widely accepted concept that lightweight means light sound The RGXA2 brings a revolutionary approach to guitar design The quest for the perfect design naturally took the route of trying to build the lightest possible guitar but early prototypes while incredibly light didn t deli...

Page 6: ...at Silver RGX220DZ Red Metallic RGX220DZ Dark Metallic Gray RGXA2 Weighing in at 2 5 kg the RGXA2 is in the super lightweight class Yamaha s revolutionary A I R technology delivers a guitar so light that it fuses seamlessly with the player delivering unprecedented comfort amazing tone and superior performance The RGXA2 the guitar that lets you play the way you want to play Actual weight may vary s...

Page 7: ...burst Faded Burst SA2200 Set Neck 24 3 4 628 7mm Ebony 13 3 4 350mm 22 Laminated Figured Maple Premium Grade Mahogany T O M Bridge Alnico V Humbucker X 2 3 Position Toggle Front Volume Rear Volume Front Tone Rear Tone with Push Push Switch Violin Sunburst Brown Sunburst Bridge Mounted Piezo Pickup A piezo pickup mounted underneath the bridge saddle delivers acoustic tone The bridge is height adjus...

Page 8: ...wn on stage for his elaborate face paint and black tinted contacts as guitarist for Limp Bizkit He has also kept him self busy fronting his own band Black Light Burns and as a member of such bands as Big Dumb Face Eat the Day and Goatslayer CV820WB Black Two Bridge Types Two bridge types are available The AES1500 is equipped with a Tune O Matic bridge while the AES1500B comes with a Bigsby B6 Vint...

Page 9: ...kings of modern jazz guitar Mike has relied on single cutaway guitars His devotion to that instrument is reflected in the Mike Stern signature model the PAC1511MS PAC1511MS Mike Stern Signature Model 7 1 4 inch Radius Neck Mike Stern plays smoothly and with confidence on this maple neck with a 7 1 4 inch radius Controls PAC1511MS q 3P Pickup Selector w Master Volume e Master Tone q w e Model Const...

Page 10: ...aple Diecast Fixed Bridge Humbucker X 2 3 Position Lever Master Volume Master Tone Yellow Natural Satin Black Vintage White PAC012 Bolt on 25 1 2 647 7mm Rosewood 13 3 4 350mm 22 Alder Agathis or Nato Maple Covered Vintage Style Tremolo Single X 2 Humbucker X 1 5 Position Lever Master Volume Master Tone Black Red Metallic Dark Blue Metallic PAC112V Bolt on 25 1 2 647 7mm Rosewood 13 3 4 350mm 22 A...

Page 11: ...q Front Volume with LED w Rear Volume with LED e Master Tone w q e RBX4A2 This regular scale model weighs just 3 2 kg and offers superior balance in addition to its ultra light weight Fusing seamlessly with the player it offers unprecedented playing comfort that stuns bassists who regularly play a standard bass Light weight superior comfort and easy playing action let you concentrate on your play ...

Page 12: ... Violin Sunburst Light Amber Burst RBX374 375 270J 170 BBNE2 Pickups The stack type pickups are designed in collaboration with Nathan East The Alnico V Humbucker pickups include a hum canceling coil Individual Bridge Pieces The bridge consists of individual bridge pieces that reduce interference from other string vibration delivering a purer tone Contoured Body Both the front and back of the bass ...

Page 13: ...ctive Electronics BB614 615 Active electronics include an extremely low noise preamp developed by Yamaha that retains the full tone produced by the pickups The system produces a dynamic sound with excellent presence The 5 control active electronics are extremely easy to use and offer a wide range of tonal creation to meet the demands of any situation Controls BB614 615 q Pickup Balancer w Master V...

Page 14: ... ATTITUDE LTDII BB714BS Billy Sheehan is no stranger to the spotlight From his days with Talas to headlining arenas with David Lee Roth and his band Mr Big he has thrilled audiences the world over with his bold perfor mances and highly evolved techniques Constantly pushing his skills to new limits he has changed the way the bass guitar is played and taking rock bass playing to new heights Billy s ...

Page 15: ...em offers a wide palette of tonal variation Everything from subtle variations in tonal nuance to dynamic sound output is possible Controls TRBJPII q Pickup Balancer w Master Volume e Bass r Middle t Treble TRB5PII Bubinga TRB6PII Maple TRBJPII Translucent Dark Red Alnico V Hum Canceling Pickups Hum canceling type Alnico V pickups are used to produce clear tone The 6 strings offer a wide tonal rang...

Page 16: ... Body Neck Bridge Pickups Pickup Switch Controls Colors SLG100S 24 15 16 634mm Rosewood 15 3 4 400mm 22 Maple Mahogany Rosewood L R Baggs N A AUX IN w Level Control Line Out Phones Out Volume Bass Treble Reverb Off 1 2 On Off Switch Natural SLG100N 25 9 16 650mm Rosewood Flat 19 Maple Mahogany Rosewood B Band N A AUX IN w Level Control Line Out Phones Out Volume Bass Treble Reverb Off 1 2 On Off S...

Page 17: ...oub Liz Phair Justin Derrico Pink Kurt Rosenwinkel Lars Stromberg International Noise Conspiracy Lee Sklar Phil Collins Lukasz Gottwald Marco Mendoza Thin Lizzy Dolores O Riordan Michael O neill George Benson Band Michael Thomas Fastback Mike Fish Herring Christina Aguilera Seal Nick Rowe Bloodsimple Nick Annis Black Light Burns Philip Bynoe Steve Vai Band Phil Lipscomb Taproot Rafael Bittencourt ...

Page 18: ...offers two different EQ curves or Flat response Frequency and Level controls to adjust the amount of sound shaping Plug and play simplicity battery powered YT100 Guitar Bass Tuner Indicators Pitch indicator Tuning guides Tuning Notes GUITAR 7B 6E 5A 4D 3G 2B 1E BASS LB 4E 3A 2D 1G HC Input Input jack 6 monaural Built in microphone Power Source Two AAA R03 LR03 batteries Dimensions 97 W X 50 H X 18...

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