Yamaha RX-Z11 - AV Receiver Owner'S Manual Download

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Sound field programs

asic Opera

tion

■

For audio music sources

For audio music sources, we also recommend using the Pure Direct mode (see page 65), the “STRAIGHT” mo de (see page 64), or surround decode mode (see
page 86).

CLASSICAL 1

Descriptions of the characteristics of the sound field programs

Following indexes indicates the characteristics and trends of each sound field program.

Size of sound field space (Size)

(For the HiFi DSP and CINEMA DSP programs)

Indicates the size of the sound field to be generated. If the value for
this item is small, the sound is that of a small space, while if the
value is large, the sound is that of a vast space.

Vertical/horizontal balance (V/H balance)

(For the HiFi DSP and CINEMA DSP programs)

Indicates the balance of the vertical (height) and horizontal
directions for the sound field to be generated. If this item is more in
the horizontal direction, the sound is that of a space with strong
reflections from the walls, while if it is more in the vertical direction,
the sound is that of a space with strong reflections from the ceiling.

Front/rear balance (F/R balance)

(For the CINEMA DSP programs only)

A CINEMA DSP sound field processing expressing whether the
effect is stronger towards the front or rear. When the effect is
stronger towards the front, the listener senses a feeling of openness
and depth towards the screen, while when the effect is stronger
towards the rear, the listener gets a sense of envelopment and
movement. Suits basically all types of contents for programs with a
good front/rear balance, and is effective when selected appropriately
for programs in which the balance is more towards either the front or
rear.

Sound field atmosphere (Atmosphere)

(For the HiFi DSP programs)

The sound field to be generated is evaluated according to whether it
is nearer to one or the other of the following;
Simple: Sounds that fade straight-forwardly, with a light, gentle
impression, depending on the program. This suits almost all contents
relatively well, but provides little brilliance or powerfulness.
Complex: Sounds transform in complex ways as they fade out, with
a rich, brilliant impression, depending on the program.
This is extremely effective for the right contents, but is suited for a
smaller range of contents.

(For the CINEMA DSP programs)

The sound field to be generated is evaluated according to whether it
is nearer to one or the other of the following;
Calm: An overall composed, moderate effect, stressing the overall
quality of the atmosphere without aiming at any extreme effects.
This suits almost all contents relatively well, but provides little
showiness or powerfulness.
Powerful: Designed with specific contents in mind (expressing vast
spaces, feverish excitement, etc.). This is extremely effective for the
right contents, but is suited for a smaller range of contents.

Hall in Munich A

This sound field simulates a concert hall with approximately 2500 seats in Munich, using
stylish wood for the interior finishing as normal standards for European concert halls.
Fine, beautiful reverberations spread richly, creating a calming atmosphere. The listener’s
virtual seat is at the center left of the arena.

Hall in Munich B

This hall is frequently used for recording orchestral music, and is a shoe-box type concert
hall with around 1300 seats. The hall is constructed from marble, resulting in relatively flat
resonance. Further, the high ceiling causes sound to reverberate for longer than usual.

Hall in Frankfurt

This is a large shoe-box type concert hall with around 2400 seats located in Frankfurt. This
hall has a very solid, powerful sound. The listener’s virtual seat is in the center-right
section on the first floor.

The characteristics of the sound field programs may differ depending on the settings of the listening room, etc.

Note

Small

Large

Vertical

Horizontal

Front

Rear

Simple

Complex

Calm

Powerful