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Assigning Controllers in Voice Mode 

Within the architecture of each internal AWM2 

(sampled-based) Voice is a set of 6 controller 

assignment setups, called Control Sets. You can 

program how the physical controllers will be 
assigned to affect a specific part of the sound. The 

assignable physical controllers available in the 

Control Sets are:  

 
MW

 – Modulation wheel  

PB

 – Pitch bend wheel  

AT

 - Aftertouch  

FC1

 – Foot Controller 1 (optional FC7 pedal) 

FC2

 – Foot Controller 2 (optional FC7 pedal)  

FS

 – Foot Switch (optional FC4 or FC5 pedal)  

Assign 1

 – Slider 

Assign 2

 – Slider 

BC 

– Breath Controller (optional BC3a) 

RB – 

Ribbon Controller (*) 

 

* The S90 ES does not have a Ribbon Controller. 
However,  keep  in  mind  that  if  the  same  MIDI  Control 
Change messages as set here are received from an 
external device, the internal tone generator also 
responds to those messages as if the Ribbon Controller 
of the instrument was used. Voices that were 
programmed for the Motif ES, for example, might have 
RB (cc22) assigned – the S90 ES Voice can still respond 
to these in sequence data or via MIDI. 

 

 

What about the Assign A and B Control Sliders

ASSIGN A and ASSIGN B Control Sliders do not 

appear in the individual Voice mode Control Sets. 

Both are each assignable for the entire S90 ES 

(global) and will behave the same in 

all 

Programs. 

This is different from Assign 1 and Assign 2, 

where the “destination parameter” is 

programmable, per Voice.  
 

What about the Sustain pedal and the new Half-

damper and the Damper Resonance functions? 

This will be the subject of a separate article. But, 

in general, the 

Half-Damper

  function  is  part  of 

the VOICE mode Amplitude Envelope Generator 

on a per Element basis and is tied to the FC3 
(optional) sustain pedal; while the 

Damper 

Resonance

, which simulates the soundboard 

resonance inside a piano when the sustain pedal is 
pressed, is a special Insertion Effect controllable 

via the sustain pedal. 

 

Control Set Conventions: 
Certain Control Set assignments are 

common 

to 

all elements and others can be specific to a 

particular 

element

 of the sound. There are 6 

Control Sets, each allows the user to pick a 

physical controller and assign it a parameter 

destination (the target parameter you will be 
changing). It is possible with this system to assign 

more than one controller to the same destination 

by using more than one CONTROL SET. And it is 
also possible to have a single destination under 

the control of more than one physical controller. 

The degree or 

depth 

of the control of each 

physical controller can be programmed, as well. In 
fact, the Depth parameter is very important – 

because without a Depth amount the assignment 

is meaningless. Think about the Depth setting as 
controlling 

how far

 the controller will be moved to 

get the response you wish. This is your 

performing gesture and should be set to 

your

 

particular taste and playing style. It is okay to 

have an opinion about ‘how much’ you move a 

controller to get the response you need. 

 
You can view and set the parameters for the 

Controller Setups in the S90 ES itself or via the 

“Voice Editor for S90 ES” in your computer.  
 

To navigate to the Controller Sets in the S90 ES 

from 

Voice mode

:  

 

Press [EDIT] 

 

Press [COMMON] (a/k/a Drum Kits/Favorites) 

 

Press [F4] CTL Set  

 

 

 

 

There are 6 sets  (3 pair) selectable via the 

[SF1]-[SF3] buttons 

 

Setting the SOURCE/DEST: 

select a Source 

controller and assign a target Destination 
(Dest) parameter. 

 

Destination Elements or Common: 

The 

‘ElementSw’ (or Element Switch) activates 
control for each element. If the destination is 

‘common’ to all elements you will see 

parenthesis (----) around the four dashes that 
represent the individual elements. Parenthesis 

around a parameter means you cannot get at 

it (This is the equivalent of being ‘grayed-

out’). In this case because all Elements will be 
treated together. The Common parameter 

destinations are Volume, Reverb Send or 

Chorus Send. If, however, the destination can 
be assigned to a specific Element(s) you will 

see the destination parameter name as 

ELM-

Lvl

 = Element level, 

ELM-Dly

 = Element 

delay, or 

ELM-Pan

, etc. You can select which 

elements are to respond to this control 

setting. An “

ElementSw

” Element Switch 

setting of “-2--“, represents a setting where 

 

2

Summary of Contents for S90 ES

Page 1: ...your advantage All possibilities could never be covered in a short guide but this should get you on your way After going through this article feel free to experiment with other assignments Background...

Page 2: ...thers can be specific to a particular element of the sound There are 6 Control Sets each allows the user to pick a physical controller and assign it a parameter destination the target parameter you wi...

Page 3: ...eter you would move in real time Mic angle is a set and forget parameter Parameters that are unavailable typically have no musical or practical use If you want to see and tweak this effect algorithm p...

Page 4: ...ontrol to it We need to go to the overall Voice volume parameter and reduce it to zero In other words something else is controlling how loud this sound is as well of course it s the main Volume assign...

Page 5: ...her than zero set to taste This would require you to go into the Voice element level and set the cutoff frequency of the filter for each element you want to control Each element can have a different f...

Page 6: ...ctly how the data is interpreted by the tone generator receiving device is programmable For example it is possible to use the wheel for something other than just pitch bend by programming the sound to...

Page 7: ...er speed Try substituting AT for MW in the OR 16 8 5 1 3 Voice as long as you apply pressure to the keys the speed of the rotary speaker will be fast Aftertouch cannot be turned off per se It is alway...

Page 8: ...the Yamaha professional synthesizers to implement the very pianistic half damper function This requires that a special parameter be activated in the Voice s Element AEG and that an optional FC3 pedal...

Page 9: ...LG150 AN Voice to respond to cc16 for filter cutoff and cc17 for filter resonance it will have its virtual analog filter controlled by the S90 ES Assign 1 2 Note PLG150 series Plug in Voices will have...

Page 10: ...oes not have a center d tente a minimum to maximum controller like MW you may find it difficult to place it back to neutral It is not an issue when you assign a negative positive parameter like pan po...

Page 11: ...to accomplish your goal In a Performance you can see which Controllers are active per Part Press EDIT Touch program button 1 to select PART edit level Press F5 RCV SW or Receive Switch Here you can s...

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