background image

 

 

 

 

Now, for fun, let’s activate a second 

Element in this Voice. Press the Program 

[2] button that represents Element 2. You 
can now turn the Element Switch ON.  

 

Set Element 2 to waveform #0630 

[Wv:FMSquare  ] 

 

 

 

You can use Program buttons [1], [2], 
[3], and [4] to 

select 

Elements, and 

buttons [9], [10], [11], and [12] to turn 

them 

on/off

. Try it! Currently we can use 

[1] and [2] to select and [9] and [10] to 

mute and un-mute our two Element Voice. 

This will allow you to isolate each element 

when you want to concentrate on just one 
at a time. Practice this basic skill. 

 

Navigate to the CTL Set 1/2 (Control Set 

1) page. (Press the [COMMON] button to 
return to Common edit. [F4]:CTL SET 

 

Set the CTL SET 1 as follows: 

 

 

 

In the above example, the Volume parameter is 
‘common’ to 

all Elements. 

We know this because 

the Element Switches are grayed out 

(parenthesis). If you were to activate additional 
Elements they would also share the same setting 

when you select a ‘common’ destination. The 

modulation wheel will effect all the Elements. The 

+63

 Depth setting sets the maximum range of 

the controller. Try it...move the mod wheel… 

 

Hey! What gives...I thought we would now be 
controlling the volume completely with the 

modulation wheel! But 

no

, it 

doesn’t 

work. Is the 

unit broken? Should I call someone? - Not at all. 
Here’s why it is not working: This is not the place 

that the overall volume of the sound is set, only 

where you 

assign control to it

. We need to go to 

the overall Voice volume parameter and reduce it 
to zero. In other words something else is 

controlling how loud this sound is as well – of 

course, it’s the main Volume assignment that 
responds to note-on. Here is how to change it.  

 

Navigate to the Common OUTPUT page [F2]. Here 

you will see a parameter for the total volume of 
the Voice = 127. Program it to 0. That’s right, 0.  

 

 

Now when you move the modulation wheel you 

have 

total 

control over the volume of the Voice. 

The position of the modulation wheel is now an 

absolute

 representation of the current common 

volume, 0-127. We call this process ‘biasing’ the 
parameter (in this case, volume) to the controller. 

In other words, it will now look to this controller 

(mod wheel) for volume instructions.  
 

Okay,  return the Common Voice Volume to 127 

before continuing. 

 

 

 

Similarly, a volume assignment can be made on 

the Element level. This would allow the 

player/programmer to have control over specific 
parts of the sound (Elements) within a Voice. In 

our Control Set instead of making the Destination 

= Volume (common overall volume) like before, 
this time assign it to 

ELM-Lvl 

or Element Level. 

When ELM-Lvl is selected you can individually 

assign which elements will respond to this Control 
Set’s Depth setting when the physical controller is 

moved.  

 

Return to Control Sets press [F4]:CtlSet/ 
[SF1]:Set 1/2. Select ‘ELM-Lvl’ as the DEST 

(destination). Set only Element 2’s level to be 

controlled via the MW (Element Switch).  This is 
accomplished by moving the cursor to the 

Element Switch line and setting it so it reads:  

“-2—“ 
 

 

 

4

Summary of Contents for S90 ES

Page 1: ...your advantage All possibilities could never be covered in a short guide but this should get you on your way After going through this article feel free to experiment with other assignments Background...

Page 2: ...thers can be specific to a particular element of the sound There are 6 Control Sets each allows the user to pick a physical controller and assign it a parameter destination the target parameter you wi...

Page 3: ...eter you would move in real time Mic angle is a set and forget parameter Parameters that are unavailable typically have no musical or practical use If you want to see and tweak this effect algorithm p...

Page 4: ...ontrol to it We need to go to the overall Voice volume parameter and reduce it to zero In other words something else is controlling how loud this sound is as well of course it s the main Volume assign...

Page 5: ...her than zero set to taste This would require you to go into the Voice element level and set the cutoff frequency of the filter for each element you want to control Each element can have a different f...

Page 6: ...ctly how the data is interpreted by the tone generator receiving device is programmable For example it is possible to use the wheel for something other than just pitch bend by programming the sound to...

Page 7: ...er speed Try substituting AT for MW in the OR 16 8 5 1 3 Voice as long as you apply pressure to the keys the speed of the rotary speaker will be fast Aftertouch cannot be turned off per se It is alway...

Page 8: ...the Yamaha professional synthesizers to implement the very pianistic half damper function This requires that a special parameter be activated in the Voice s Element AEG and that an optional FC3 pedal...

Page 9: ...LG150 AN Voice to respond to cc16 for filter cutoff and cc17 for filter resonance it will have its virtual analog filter controlled by the S90 ES Assign 1 2 Note PLG150 series Plug in Voices will have...

Page 10: ...oes not have a center d tente a minimum to maximum controller like MW you may find it difficult to place it back to neutral It is not an issue when you assign a negative positive parameter like pan po...

Page 11: ...to accomplish your goal In a Performance you can see which Controllers are active per Part Press EDIT Touch program button 1 to select PART edit level Press F5 RCV SW or Receive Switch Here you can s...

Reviews: