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Manual-1

AC 22

ACTIVE CROSSOVER

OPERATORS  MANUAL

AC 22 CONNECTION

Balanced/Unbalanced Inputs

The ¼" Input jacks on the AC 22 are TRS (tip-ring-

sleeve). We recommend connecting the AC 22 with a bal-
anced cable from the balanced output of a mixer or equalizer.

If a balanced output is not available, and the cable run is

less than ten feet (three meters), inserting an unbalanced ¼"
TS (tip-sleeve) plug works in most situations.

Unbalanced Outputs

The ¼" Output jacks on the AC 22 are unbalanced TS

(tip-sleeve). We recommend that cables to the amplifiers be
no longer than ten feet (three meters).

See the “Sound System Interconnection” RaneNote

included with this manual for more information on cabling
and grounding requirements.

QUICK START

This is an automatic crossover! By automatic, we mean that the AC 22 is smart enough to know whether you want to

run it as a two channel crossover, or as a single channel unit. It knows by the way the plugs are inserted how your system is
to be configured. However, just because it is automatic, doesn’t mean that it will not automatically confuse you when you
try to connect it in a bench test situation. NOTE: Labels above the controls refer to the unit being operated in the 2-
Way STEREO
 mode. Labels below the controls refer to the unit being operated in the 3-Way MONO mode.

Plugging a signal into the CHANNEL 1 INPUT and nothing into the CHANNEL 2 INPUT tells the unit that you are

running a single channel system in Mono 3-Way mode, and therefore sets the unit up to be a single channel device. This
can lead one to think that there are some dead channels in the unit when looking for output in places where there shouldn’t
be any.

When operating the AC 22 as a Stereo 2-Way, follow the diagram on page Manual-3, reading the labels above the jacks

and controls. To drive both channels with a mono signal, connect only to the CHANNEL 2 INPUT. This approach is the
same as if you used a wye cable to both Inputs. This is very useful in situations where only one mix exists, but two indepen-
dent channels of crossover are desired, normally used for separate amplification on each side of a stage. This is a good way
to test both channels of the crossover when only one signal source exists.

The AC 22B is available as a fully balanced output version equipped with XLR connectors (for inputs and outputs) instead of

the standard ¼" TRS jacks. If you are running balanced amplifiers from the AC 22 or are running crossover output cable lengths
greater than 10 feet, we highly recommmend you purchase an AC 22B.

Never connect ANYTHING except an RS 1 or other approved Rane AC power supply to the thing that looks like a red

telephone jack. This is an AC supply and requires some special attention if you do not have an operational power supply
EXACTLY like the one that was supplied with your unit. Consult the Rane factory for replacement or substitution.

WEAR PARTS:

 This product contains no wear parts.

Summary of Contents for AC 22

Page 1: ...o the CHANNEL 2 INPUT tells the unit that you are running a single channel system in Mono 3 Way mode and therefore sets the unit up to be a single channel device This can lead one to think that there...

Page 2: ...MONO SUB mode the Channel 1 LOW MUTE switch Mutes the MONO SUB Output Channel 2 s Mute is inactive LOW frequency time DELAY control adds from 0 to 2 ms of time Delay to the Low Output only This allows...

Page 3: ...LOW OUT The result is taken from the CHANNEL 1 LOW OUT jack Power input connector USE ONLY AN RS 1 OR OTHER REMOTE AC POWER SUPPLY APPROVED BY RANE This unit is supplied with a remote power supply sui...

Page 4: ...This 41 detent selector determines the Crossover Frequency between Low and Mid Outputs The detents will assure maximum accuracy and consistency between Channels Refer to page Manual 6 to deter mine p...

Page 5: ...frequency amp MID frequency OUTPUT Connect this Output to the input of the mid frequency amp LOW frequency OUTPUT Connect this Output to the input of the low frequency amp MONO SUB mode switch must b...

Page 6: ...y For a detailed and enjoyable short course on time delay Linkwitz Riley and other mouth watering details we urge you to pick up free copies of the RaneNotes Linkwitz Riley Crossovers and Linkwitz Ril...

Page 7: ...from the mid driver set the analyzer DISPLAY LEVEL control so the LED s corresponding to the high crossover fre quency are reading 0 dB this would be a green LED at the crossover frequency with the R...

Page 8: ...set the output level controls as outlined on page 11 Time Delay Adjustment Using SPL Meter and Tone Generator Now that good quality realtime analyzers are becoming more affordable and easier to use th...

Page 9: ...h driver is actually in front of the mid driver adding delay to the mid driver then only worsens the situation There are a couple of ways to deal with this a Try to move the high driver back as far as...

Page 10: ...6 7 MAX 200 1 1 5 2 2 5 3 5 5 6 7 MAX 250 1 1 5 2 2 5 3 5 5 7 8 MAX 300 1 1 5 2 2 5 3 5 5 5 7 MAX 400 1 1 5 2 2 5 4 6 8 MAX 450 1 1 5 2 2 5 4 6 8 MAX 500 1 1 5 2 2 5 4 6 8 MAX 800 1 1 5 2 3 5 7 MAX lk...

Page 11: ...e a few recommended methods of setting crossover output Levels Setting Levels Using a Realtime Analyzer NOTE If you are running two channels tune up only one channel at a time 1 Set all LEVEL controls...

Page 12: ...response 1 Run pink noise into the crossover inputs through the mixer or directly as is convenient 2 Make sure all crossover output LEVELs are turned all the way down and all amplifier level controls...

Page 13: ...circuits 6 To install the Delay 2 circuit into Channel 2 s High Frequency output find jumper W25 and remove it 7 Install a long jumper from W22 Pin 2 to W25 Pin 1 8 Install a long jumper from W20 Pin...

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