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The multi-effects feature 30 different kinds of effects.
Number
Effect Name
00
THRU
01
SUPER FILTER
02
STEP FILTER
03
DRIVE
04
AUTO WAH
05
COMPRESSOR
06
LO-FI COMPRESS
07
DISTORTION
08
OVERDRIVE
09
EQUALIZER
10
ISOLATOR
11
SLICER
12
RING MODULATOR
13
STEP RINGMOD
14
PITCH SHIFT
15
STEREO DELAY
16
3TAP PAN DELAY
17
REVERSE DELAY
18
TAPE ECHO
19
CHORUS
20
HEXA-CHORUS
21
SPACE-D
22
PHASER
23
STEP PHASER
24
INFINITE PHASER
25
FLANGER
26
STEP FLANGER
27
AUTO PAN
28
ROTARY
29
REVERB
30
LONG REVERB
About Note Values
Some effect parameters (such as Rate or Delay Time) can
be set by using note values.
Whenever the “BPM Sync” parameter is set to “ON,” settings
can be made in terms of a note value, so when the effect
is applied, it will be synchronized to the tempo set for the
Kit or Phrase.
note:
Dotted quarter note
Double-note triplet
Sixteenth-note triplet
Sixty-fourth note
Quarter-note triplet
Half-note triplet
Whole-note triplet
Eighth-note triplet
Dotted whole note
Dotted half note
Dotted thirty-second note
Thirty-second-note triplet
Dotted eighth note
Dotted sixteenth note
Double note
Whole note
Thirty-second note
Sixty-fourth-note triplet
Eighth note
Quarter note
Half note
Sixteenth note
When “BPM Sync” is set to “OFF,” a numerical value can be
set for the relevant items.
NOTE
If you set the delay time as a note value, slowing down
the tempo will not change the delay time beyond a
certain length. There is an upper limit for the delay
time so if it is set as a note value and you slow down
the tempo until this upper limit is reached, the delay
time cannot change any further. This upper limit is the
maximum value that can be specified when setting the
delay time as a numerical value.
About Knob Indications
When the icons shown below appear along with a
parameter in the FX-EDIT screen, it means that this FX
parameter can be controlled with the knobs in the FX
CONTROL screen. For each FX, the optimal parameters
have been assigned and made available for control.
Knob 1
Knob 2
Knob 3
OCTAPAD SPD-30 Effects List
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All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND
CORPORATION.
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