Siel Opera 6, User Manual

Page 1: ...4 44 4 4 4 4444 4 4 4 U 4 C E 4 4 4 4444 fr 44 4 4 4 4444 4 4444 44 44 1 1J f 1th I 4 4444 4 4 4444 4 444444 44 4 4 4 RE 5 lMftNC jE 4 4 4 4 t 4 4 4 4 4 4 KL YBOART 1 h ACKlNQi 44 4 4t4 444 AM DU r 4...

Page 2: ...A ETTE INTERFACE 40 TO 1 i l l 0 l i r 4 4 i r n f 4 A fl 9 4 q 444 4 4 4 j Rl lhl r AT i 4 f4 4 4tP4 4fr r4l 4 4 M I DtJi M I D r CONlNFCTTONS 4 5 M I II FUNCTIONS t 4 4 49 44 4 444 4 4 4 44 CONNECTI...

Page 3: ...ne jack OUTPUT tu the input of an aii p t i f i j r or audio mixevi Now verify that only onef of the two device either the OPERA 4 or the amp L i f i ev better the amp 1 i f i er grounded i i ordejr t...

Page 4: ...ion and record it to a memoY y location D Transfer one or more sounds from one location to another A Select HID INTERNAL fuTiction recall number 9S on display and pre s ENTER t now thie OFERA A ts v e...

Page 5: ...R I his i ns tr ufln nl r o sc t s o i Is i n i i a 1 position witlioul affex tins I h c p I 0 y r a m o v y D G sl cl TIIDI INTERNAL funciionj namb v 9Z on dispF y and pr ass ENTER now Ihi OPERA is i...

Page 6: ...WtH vG to enter the VCF VCA t i o n and the audio output THg hannoYnc content of thi type of wave depends on the P W control po ition When both wa ve li apeiji are I fcc tei L Iheii audio siiynala are...

Page 7: ...Miri Ihe IvavuminU r oTiievrt of the f ul t e wdvt by et t i TTVJ i tc duty cy Le fv oit tTrppvH x i vna le i y to 99 A d LA t y u yr Le pul i e htTivir j only odd hai mo n 1 l s ai u c il led a 4 i L...

Page 8: ...ich the basic note note whicl determines the pitch has a single amplitude and all the nthers ca t led harmonic notes have a different ampliti ide depending on the harmonic spectrum of the complex wave...

Page 9: ...i on general i on of si ne waves the KEYBnARD TRACKING enables you to achi e sine on th I h Tempevwjd ca and to them as normal a u d I 0 0 sc 1 1 1 a I o r s A AMOUNT This knob curitvol i fiK s A IuS...

Page 10: ...VCF i V iyns the AD sR f u m t i ons of the envelope generator to the filter B When in WCA it assigns thti AKl 5R f u nt i i tiS of the envelope genera ten to thi arnpl ifit i If OFF thrs amplifier wi...

Page 11: ...mber 9B and pv EMTFiR Th i li splay will show th leve I of sensi t i v i ty i n use 2 Select desired sensitivity Level Civom 01 to 04 3 Pres ENTERi the display wi LI show i n the ingeicai pros ram pif...

Page 12: ...st i urreasing th n decreasing with no discontinuity points If you select the square wave you will obtain a periodic modulation with sharp changi s fvoin maximum to mini mum values thus with discontin...

Page 13: ...at i ows uf the modulations are pr ogrammab le for example it is possible to obtain momentary p I tch bend of one of the Iwo oscillators or of both or to i Krrease one or more modulation depths 9 1 PI...

Page 14: ...level indicatiir C Use the same recorder both for vet ordin9 and for data transfer from tape to OF ERA A Cto avoid errors in tape P Layback The OPERA A i i provided wilh 95 Factory Pvogi amia which ca...

Page 15: ...on 1 Kee p TAPE tiwilch ON 0 ev a A 2 Select the desired function MODE INTERFACES switciOj in this caseJ VERIFY 3 Rewind to tart of tape 4 Set recorder to PLAY posit ion Wait tor the recorder s firs...

Page 16: ...EiigitaL Interface The OPERA A features a universal interface system used in several applications The instrument actually com uin i cates with and is prepared to receive data from other H I D I e Luip...

Page 17: ...i tt ntmii j i EXPANDER i cable I LL_LLL_LL_LU U LJLL_ FIG 1 MIDI SYNTH 2 X EXPANDER midi synth out m t d L cab Le EXPANDER 1 midi I EXPANDER 2 Ti thru i n cab Le I FIG 2 CDMPUTCR MIDI COMPUTER INTERF...

Page 18: ...XT with MODE ieL i tor J5 Gw tc h RECORD GF fTRA Now the d i iip Lay of the Expander hou d b 1 i nk if i t doe n t repeat yp irration f o i point A 5 ct the R xpa ndev 7 iimh r iif p l ogram to which...

Page 19: ...l eci osc i M i Oi s Cio the best pi tch re I i ab i L i f y on ttK whoLe v y te ns i o i of fhe W LL Tc mp ro d scal o wifh L i nt av waveforms It is ful ly pr ogr amoiah l tt and ab t X o S tore up...

Page 20: ...R CnWNG c a ie vuU uac ir ftnv r it you to number Tuber fi uin 00 to ll j in i i dei to dibit lo veceivCf C o 1tii d with po Ly modO cocife number Po iy t i mbre r I coflTpo j i t i ous lhrouL ih r om...

Page 21: ...CK TIMK ANt UOLUMR I PUEI P USE7 TIC FITCH WilCTT TO HAKC SOUNIi MURK EVTECri E D imr rcpTH or Hnnu AT i oN uhlri to adh prdppr character UR MAKE MURE EFRECTIUE O HD TOUCH SENSTTIUITY PRQORAHHEn I JTO...

Page 22: ...GG 0 51 QUARTET STRINGS L a 42 CHEAP CRGAN 0 G 52 F IPE ORGAN I G 43 GVNTH ORGAN TL r D 53 FUNKY UOLUME L f a 44 CELESTE L a 54 UARPS simple 0 45 MARFAS TCH SFNS L f a 55 HARMONICA L f a 46 GPODK 0 56...