Yamaha AN200 Editor, Manual

Page 1: ...dden without the written consent of the manufacturer Copying of the commercially available music sequence data and or digital audio files is strictly prohibited except for your personal use Trade Marks and Registered Trade Marks The company names and product names in this Owner s Manual are the trademarks or regis tered trademarks of their respective companies Notices Yamaha makes no representatio...

Page 2: ...erating an actual synthe sizer control panel The AN200 Editor lets you save your edits as an original User pattern and store up to 128 User Naturally you can save the data to floppy disks or your hard disk drive as AN200 Files The AN200 Editor also features a convenient easy to use AN200 Librar ian that lets you organize your User patterns For general instructions and explanations on how to use th...

Page 3: ...ted the AN200 Editor parameters and then select a different pattern all your edited parameters will be initialized to the default values of the newly selected pattern z Select AN200 Pattern List Click the PATTERN button at the bottom right of the main control panel You can also quickly call up this dialog box by clicking any inactive part of the win dow pressing control key and clicking AN200 Patt...

Page 4: ...tore the edited settings as a User pattern then save it with other edited patterns as an AN200 File Use the Store operation to store your newly edited pattern Then use the Save operation to save that edited pattern with other User patterns to an AN200 File Both the Store and Save operations are necessary to ensure that your pattern is saved properly Failing to do so would be roughly similar to wri...

Page 5: ...ox by clicking any inactive part of the win dow pressing control key and clicking AN200 Pattern List in the pop up menu Or you can click Edit on the menu bar then select AN200 Pattern List x Select the User bank and the desired pattern to be initialized Click on the User bank button then click on the desired pattern c Initialize the pattern Click the Pattern Init button in the dialog box The speci...

Page 6: ...will be erased and replaced with the newly edited pattern c Store the pattern Click the Store button in the dialog box The newly edited pattern is stored to the selected location This operation deletes the original pattern data at the destination Keep in mind that this operation stores your pattern data only into the User pattern memory of the AN200 Editor and sends the current pattern s bulk data...

Page 7: ...k Save Once you ve saved a set of User patterns and to one or more AN200 Files see Saving Patterns you can instantly call up the desired patterns with this command To create a new AN200 File use the New command z Select Open AN200 File Click File on the menu bar then select Open AN200 File Open AN200 File is also available on the toolbar x Select the desired folder and file name then click Open Ke...

Page 8: ...r and is comprised of the virtual panel controls the toolbar at the top and the virtual LCD display at the bottom The master menu which includes AN200 Pattern List Store and the Display Option can also be selected from the main screen by clicking pressing control key any inactive part of the front panel To jump to explanations for the desired parameter click on the appropriate block in the illustr...

Page 9: ...p This is the same as the corresponding command in the Setup menu It lets you make various important settings for configuring the AN200 Editor with the AN200 See Setup Menus AN200 Editor Setup Setup AN200 Display Option This convenient feature lets you change the display of the main control panel to indicate the current status of certain signal routings within the AN200 See Setup Menus AN200 Displ...

Page 10: ...reset 1 Preset 2 or User Each bank contains 128 patterns To select a pattern click on the desired pattern in the combo box For a complete list of available patterns see the Pattern List in the AN200 Owner s Manual Each pattern name is preceded by a two letter category abbreviation that indicates the gen eral instrument group to which the pattern belongs For example Ld indicates lead Ba indicates b...

Page 11: ... specify a category click the Category combo box and click the desired category abbreviation The 0 setting indicates no category To store the newly named pattern click Store For a complete list of available patterns and descriptions of the category abbreviations see the Pattern List in the AN200 Owner s Manual Each pattern name is preceded by a two letter category abbreviation that indicates the g...

Page 12: ...Param eter Knob Operation The panel knob operation can be changed to let you rotate the knob instead of moving it horizontally or vertically See the Others tab in AN200 Editor Setup For buttons Simply click on the desired button to turn on off or to select the appropriate setting On off buttons such as UNISON have virtual lamps that light when the function is on Combo boxes For combo boxes such as...

Page 13: ...g around the panel in the respective direction up down left right Rapidly adjusting values You can also use the arrow keys to adjust the parameter values Select a parameter then simultaneously hold down shift on the computer keyboard and press or hold one of the arrow keys The up or right keys increase the value while the down or left keys decrease it Holding down shift and the appropriate arrow k...

Page 14: ... or value of the parameter Init will be ghosted and unavailable if no edits have been made to the selected parame ter Initialize is completely independent for each parameter AN200 Parameters The various parameters are arranged in blocks according to their general functions These correspond to the basic modules of sound generation or control in the AN200 PEG Pitch EG Parameter Block The PEG paramet...

Page 15: ...CO 1 VCO 2 Settings VCO 1 VCO 2 Both This switch determines which VCO will be affected by the PEG Depth parameter When this is set to Both the VCO 1 and VCO 2 will be affected together both lamps light OCT Octave Shift Range 2 2 This determines the octave setting of the selected pattern The octave setting is also indicated by the lamps CTRL MATRIX Control Matrix The Control Matrix is a highly flex...

Page 16: ...meters controlled by each Free EG track DETAIL Page Free EG Parameters STEP SEQ Step Sequencer Block The Step Sequencer block features four basic controls for the Step Sequencer a pow erful functions that let you trigger complex Sequences in real time at the press of a key For more information see the Step Sequencer DETAIL Page DETAIL Page Step Sequencer Parameters TEMPO Range 20 0 300 0 bpm beats...

Page 17: ...80 Ofst1 Triangle180 Ofst2 Square Square Ofst2 Square180 Ofst2 Saw Down Saw Down Ofst2 Saw Up Saw Up Ofst2 S H Sample Hold S H Ofst2 S H2 S H2 Ofst2 Parameter settings in italics above can only be selected by using the DATA DEC INC buttons or by holding shift on the computer keyboard and using the cursor keys This determines the type of wave for LFO 1 or LFO 2 The same settings are available for b...

Page 18: ...by 180 degrees VCF FEG Parameter Block VCF Parameters The VCF is a filter that allows a specific range of frequencies to pass while muting all others Movement of the filter through various frequencies as well as the use of Reso nance allows you to create exceptionally dynamic dramatic changes in the sound The VCF can be controlled by the filter EG FEG parameters allowing you to have the timbre of ...

Page 19: ...s applied to the signal after the mixer and is different than the one available in the VCF Type parameter TYPE VCF Filter Type Settings LPF24 LPF18 LPF12 BPF HPF12 BEF When LPF18 is selected both the LPF24 and LPF12 lamps light together This determines the type of filter used by the VCF The VCF passes only a specified range of frequencies while cutting off the rest to give you versatile control ov...

Page 20: ...quencies above the specified cutoff point with a cutoff curve of 12dB octave BEF The Band Eliminate Filter passes only those frequencies outside the specified fre quency range The Resonance setting below determines the eliminated range The filters listed above apply to the signal output from the HPF located between the Mixer and VCA For more information about the signal path see AN200 Display Opti...

Page 21: ...he cutoff point and passes the lower frequencies Lower cutoff values create a deeper more rounded tone while higher values create a brighter tone RES VCF Resonance Range 12 102 This determines the amount of resonance boost or emphasis of harmonics near the cut off frequency Higher values produce a higher resonant peak producing sharper high tones while lower values produce a relatively flat respon...

Page 22: ...is directly propor tional with the change in the keyboard notes FEG Filter EG Parameters The FEG parameters determine how the timbre of the pattern changes over time This lets you produce subtle or pronounced filter effects such as wah for example The EG DEPTH parameter in the VCF block must be set to a proper level for the FEG parameters to have an effect on the sound The FEG can also be used as ...

Page 23: ...to reach its sustain level from the maximum level while a key is held Higher values produce a longer Decay time See illustration below SUSTAIN Filter EG Sustain Level Range 0 127 This determines the level of sustain of the FEG which is the fixed level of the cutoff fre quency maintained as long as the key is held Higher values increase the Sustain level See illustration below RELEASE Filter EG Rel...

Page 24: ...s the on off status of Sync as well as its mode When this is set to VCO 1 Master Slave the two VCO 1 oscillators are separated inside of the VCO1 and syn chronized with one designated as the controlling master and the other the slave When this is set to VCO 2 1 the VCO 1 is synchronized to VCO 2 with the VCO 2 des ignated as the master The Master oscillator determines the overall pitch of the soun...

Page 25: ...n greater modulation depth Although the overall sound depends on the setting of the FM parameters in the Details page higher Depth values generally result in a more clangorous sound This parameter differs from that in FM Synthesis such as used by DX series synthesizers Extreme settings will change the pitch of the pattern When the VCO1 Wave is set to Multi Saw the Depth setting has no effect MIXER...

Page 26: ...back levels The higher the value the greater the Ring Modulator level When not using the Ring Modulator set this value to 0 The Ring Modulator combines the VCO 1 and VCO 2 It is particularly effective for producing dissonant interval sounds with a clangorous or metallic effect F B Feedback Level Range 0 127 This determines the balance of the Feedback level in relation to the VCO 1 VCO 2 Noise and ...

Page 27: ...s in italics above can only be selected by using the DATA DEC INC buttons or by holding shift on the computer keyboard and using the cursor keys This determines the waveform for the VCO 1 oscillator The difference between saw pulse Sync on and Sync off when Saw or Pulse is selected is only a slight nuance in sound which becomes especially distinctive when the Pulse Width is set to a value other th...

Page 28: ...ned with a pulse wave and therefore is slightly different than the Saw wave When the Pulse Width is set to 64 the shape of the wave is the same as Saw Even if you increase the even numbered harmonics by the Pulse Width the basic pitch remains the same Mix The mix wave is formed by a combination of saw and pulse waves Multi Saw This wave behaves like multiple saw waves combined together with their ...

Page 29: ...sound in which the harmonics are shifted VCO 1 PITCH Pitch Coarse Range 64 63 This determines the pitch of the VCO 1 in semitones A value of 0 is normal pitch VCO 1 FINE Range 50 50 This determines the pitch of the VCO 1 in 1 cent steps over a range of 100 cents or one semitone VCO 1 SYNC PITCH Range 64 63 This determines the pitch of the slave oscillator in semitones available only when Sync Mode...

Page 30: ...Mode is set to off and the VCO 1 WAVE is set to Multi Saw VCO 1 PWM SRC Pulse Width Modulation Source Settings Fixed PEG FEG LFO 1 LFO 2 LFO 2 Phase LFO 2 Fast VCO 2 This determines the source wave which changes the VCO1 s pulse width over time thus determining the behavior of the pulse width When this is set to Fixed there is no change in modulation over time VCO 1 PWM DEPTH Pulse Width Modulatio...

Page 31: ...waves Higher values produce a greater amount of detuning This parameter is available only when SYNC is set to off and the VCO 1 WAVE is set to Multi Saw VCO 1 Mix Multi Saw wave only Range 0 127 The Multi Saw wave combines multiple saw waves The levels of these individual waves are mixed together This parameter determines the difference in volume among the waves A value of 0 results in the output ...

Page 32: ...lse wave is used to make woodwind clarinet type sounds Its spectrum is sim ilar to a sawtooth wave but since every second even numbered harmonic is missing the waveform contains only odd numbered harmonics when Pulse Width is set to 64 Saw2 Sawtooth2 The spectrum of the Saw2 wave is created by a sawtooth wave combined with a pulse wave and therefore is slightly different than the Saw wave When the...

Page 33: ...2 PWM parameters are unavailable and are replaced with the X MOD parameters Sine This is a conventional sine wave When Sine is selected all of the VCO 2 PWM parameters are unavailable and are replaced with the X MOD parameters VCO 2 PITCH VCO 2 FINE VCO 2 EDGE These parameters are the same as those of VCO 1 When the VCO 2 Wave is set to Triangle or Sine the VCO 2 EDGE parameter has no effect ...

Page 34: ...reas the PWM parameters use a source to modulate the pulse width of the oscillator X MOD is similar to FM in that it modulates the frequency of the oscillator generating a complex set of harmonics The control source for the Depth of the modulation can be selected from PEG FEG LFO 1 or LFO 2 The actual modulator for cross modulation is fixed to VCO1 The harmonics that X MOD generates are different ...

Page 35: ...nal passes to the Effect block AEG Amplitude Envelope Generator Parameters The AEG parameters allow you to shape the sound of the AN200 pattern In other words it lets you set how the level of the pattern changes over time AEG ATTACK Amplitude EG Attack Time Range 0 127 This determines the Attack Time of the AEG or how long it takes for the sound to reach full volume when a note is played Higher va...

Page 36: ...mount of distortion drive for the guitar amplifier simulation effect block The higher the value the greater the degree of distortion in the sound DIST DRY WET Distortion Dry Wet Balance Range D63 W D W D 63 This determines the level balance of the unprocessed dry original sound of the pattern and the distortion processed wet sound A setting of D W results in an equal balance of dry and wet sound I...

Page 37: ...ters COMMON DETAIL Page KEY M Key Assign Mode Settings POLY polyphonic MONO monophonic LEGATO This determines how the tone generator sounds in response to the MIDI input POLY Tone generator is played polyphonically The maximum simultaneous polyphony is 5 notes MONO Tone generator is played monophonically The maximum simultaneous polyphony is 1 note This setting is good for creating fat and powerfu...

Page 38: ... Key Assign setting Even if it is set to POLY the voice will only play monophonically with up to four voices sounding together when Unison Switch is set to on Portamento Portamento is a pitch change effect commonly employed by singers and instrumentalists to smoothly glide from one pitch to another Portamento has been a common feature in synthesizers as well and can be used subtly for a natural pi...

Page 39: ... up anytime you click on one of the DETAIL buttons in the main control panel window This includes all but the DETAIL buttons of the FREE EG and STEP SEQ sections each of which have their own separate windows Detail Parameter Tab Setup Detail Parameter Window ...

Page 40: ...ptions see the Pattern List in the AN200 Owner s Manual Category List 0 No category 1 Pf Piano 2 Cp Chromatic Percussion 3 Or Organ 4 Gt Guitar 5 Ba Bass 6 St Strings Orchestral 7 En Ensemble 8 Br Brass 9 Rd Reed 10 Pi Pipe 11 Ld Synth Lead 12 Pd Synth Pad 13 Fx Synth Effect 14 Et Ethnic 15 Pc Percussive 16 Se Sound Effect 17 Dr Drums 18 Sc Synth Comp 19 Vo Vocal 20 Co Combination 21 Wv Material W...

Page 41: ...ne glides from one tone to the next through all the intermediate pitches when the Portamento Time is set to a value other than 0 Available parameters depend on the Key Mode setting If the Portamento Time parameter is set to 0 Portamento will have no effect Distortion Parameters The Distortion effect lets you create a wide variety of distortion sounds from subtle warm overdrive type sounds to very ...

Page 42: ...ameters Assign Group Settings LFO1 All LFO1 VCO1 VCO2 VCA LFO2 VCF LFO1 VCO1 VCO2 LFO2 VCA VCF LFO1 VCO1 LFO2 VCO2 VCA VCF LFO2 All This determines the destination choices for the LFO 1 and LFO 2 modulation When one of the All settings is selected all of the available destinations VCO1 VCO2 VCA and VCF are grouped to the selected LFO 1 or 2 The LFO blocks in the main panel control automatically ch...

Page 43: ...e EQ Parameters Low Freq Low Frequency Range 32 Hz 2 0 kHz This determines the frequency which is boosted or cut with the EQ LO parameter in the main control panel High Freq High Frequency Range 500 Hz 16 0 kHz This determines the frequency which is boosted or cut with the EQ HI parameter in the main control panel Mid Freq Mid Frequency Range 100 Hz 10 0 kHz This determines the frequency which is ...

Page 44: ...s shown in the diagrams below Both FM is applied to both master and Slave oscillators Master FM is applied to the master oscillator Slave FM is applied to the slave oscillator When this is set to Slave the overall pitch is determined by the Sync Pitch setting This allows you to set the correct pitch for the overall sound even when the FM Depth is set to extreme values This parameter is effective w...

Page 45: ...lained below VCO2 Frequency This modulation uses a sine wave which is set to the same frequency as that of the VCO 2 s pitch VCO1 Sub Osc This modulation uses a wave of either half or double the frequency of the VCO 1 depending on the selected VCO 1 waveform VCO2 Output This uses the actual VCO 2 output waveform for modulation resulting in an FM synthesis like sound Output Gain Settings 0 dB 6 dB ...

Page 46: ...ers can be used for control sources you can set up highly complex routings The Control Matrix settings determine which source i e MIDI Control Change num bers Modulation Wheel Foot Controller etc is used to control which AN200 destina tion parameter i e VCF Cutoff Resonance FEG Depth etc This gives you the freedom to configure a completely different set of sources and desti nation parameters for e...

Page 47: ...uch For controlling with keyboard After Touch Pitch Bend For controlling with a Pitch Bend wheel Key Track For controlling with note number messages generated by pressing the keys Higher keys result in higher controller values Velocity For controlling with keyboard velocity or the strength with which you strike the keys Key Random For this setting a random note number messages is automatically gen...

Page 48: ...rs on the panel of the AN200 Each Preset Pattern has four pre assigned control change numbers using this function refer to the AN Pattern List in the AN200 Owner s Manual The Control Change numbers for the Mod Wheel Foot Volume Foot Control Footswitch Rib bon Controller X Ribbon Controller Z and AN AC 5 8 can be set from the AN1x System Parameters refer to the MIDI Data Format section in the AN200...

Page 49: ...ying the pattern A variety of drawing and editing tools are available for creating unique continuous parameter changes that would be impossible to achieve with conventional EGs Naturally Free EG parameters and data are stored as pattern data allowing each pat tern to have its own Free EG settings Individual Track Parameters These parameters apply to each individual track 1 4 of the Free EG functio...

Page 50: ...ich AN200 parameter will be played by the EG curve in the selected Free EG track Only one parameter can be selected for a track VALUE Display This shows the current value or setting for the selected Track Parameter Keep in mind that this is only a display indication the value setting cannot be changed here but must be changed from the appropriate parameter in the main control panel window or the D...

Page 51: ...encer or from the first recorded Step of the Step Sequencer Seq Start The Free EG is triggered by the start of the Step Sequencer LOOP TYPE Settings Off Forward Forward Half Alternate Alternate Half This determines the type of loop for play of the Free EG sequence as described below Off The Free EG sequence plays once but does not loop The parameter settings at the end of the Free EG sequence rema...

Page 52: ...efer to the descriptions in step 2 below 2 Hold down the left mouse button at the desired start point and simul taneously drag the mouse to draw the curve Release the button to stop drawing For the pencil tool the curve is immediately changed For the other tools a ghost curve temporarily appears along with the original one while you are drawing to indicate the new curve Release the mouse button an...

Page 53: ...how dragging the mouse affects the wave Dragging the mouse up or down increases the amplitude of the wave or the degree to which the parameter value will change Dragging up creates a waveform of normal phase Dragging down reverses the phase by 180 degrees Dragging to the right decreases the frequency or makes the parameter value change slower while dragging to the left increases the frequency ...

Page 54: ...t values at successive points in the curve To a certain extent this is the opposite of smooth above since it produces jagged jumps and edges in the curve 4 If using scale or move use the mouse to adjust the setting as desired For the scale and move tools hold down the left mouse button and drag the mouse in the appropriate direction releasing it at the desired point scale This useful tool lets you...

Page 55: ...ariety of ways and can be used with the various real time controls of the AN200 Each individual step event Note Velocity Gate Time and Con trol Change can be accessed and edited by a specific panel knob over a maximum of 16 steps The Step Sequencer features extensive memory as well letting you save one sequence pattern with each pattern 128 total The Step Sequencer share a set of Common parameters...

Page 56: ...oth Step Sequencer playback When the Free EG Length parameter is set to one of the bar values the Free EG sequence will be synchronized with the Tempo set here BEAT Settings 8 12 16 Determines the number of steps in the selected Sequence for playback SWING Settings 50 83 The Swing parameter lets you apply a Swing rate to the Sequence to slightly shift certain beats in order to create a swing feel ...

Page 57: ... block CUTOFF Cutoff Frequency Settings Synth track 0 127 Rhythm 1 3 track 64 63 Determines the frequency at which the Filter effect starts of each track The higher the value the higher the frequency RES Resonance Settings Synth track 12 102 Rhythm 1 3 track 64 63 Determines the emphasis of the resonant peak of the Filter at the Cutoff frequency of each track VOLUME Settings 0 127 Controls the vol...

Page 58: ...his bank of 16 virtual knobs lets you set the note velocity for each step of the Step Sequencer pattern To set the velocity you can use one of these methods Adjust the parameter normally by turning the appropriate knob Move the cursor to the value window above the knob and use the right left mouse buttons to step up or down through the available values Use shift and the cursor keys to step or fast...

Page 59: ...er pattern To set the pitch adjust the parameter normally by turning the appropriate knob or move the cursor to the value window above the knob and use the right left mouse buttons to step up or down through the available or enter the value directly from the computer keyboard Step Mute buttons These determine whether the individual step of the track is on sounded or off muted ...

Page 60: ...tained in the AN200 File data Use this function to create a new AN200 File If you ve edited the current settings of the AN200 Editor at all the display then prompts you to store the pattern See Storing an AN200 Pattern Creating a new AN200 File cancels the current panel settings and resets all parameters to their normal values Creating a new AN200 File resets the User Patterns back to the defaults...

Page 61: ...website http www yamaha co uk Files created with the Macintosh version of the AN1x Editor can be opened here if the exten sion AN1 is added to the end of the file name Open AN200 File can also be selected from the toolbar Keep in mind that this operation loads the User Pattern only into the User pattern memory of the AN200 Editor After opening a file if you want to play with these Patterns separat...

Page 62: ...o an AN200 File The Save As command lets you specify a different file name than the original one Save AN200 File can also be selected from the toolbar Save AN200 File Save AN200 File As Selects the desired folder Creates a new folder Selects the file name Type the desired name here Selects the desired file type ...

Page 63: ...location for the newly edited pattern 2 Click Store to store the pattern to the selected location Keep in mind that this replaces and erases the pattern at the location with the newly edited one Keep in mind that this operation stores your pattern data only into the User pattern memory of the AN200 Editor and sends the current pattern s bulk data to the AN200 The current pat tern bulk data will be...

Page 64: ...ect a pattern by clicking on the desired pattern name in the list Copying a pattern to another pattern location 1 Set Drag Mode to Copy 2 Click the desired pattern and drag it to the desired location Keep in mind that this replaces and erases the pattern at the location Swapping the location of two patterns 1 Set Drag Mode to Swap 2 Click the desired pattern and drag it to the pattern you wish to ...

Page 65: ... of User patterns currently in the AN200 Editor and represents the new AN200 File to be created First copy the desired patterns from the Source to the Destination then exit the Librar ian and save the new set of patterns as a AN200 File You can open different AN200 Files one by one and freely copy the desired patterns to the Destination before saving Copying a pattern from the Source box to the De...

Page 66: ...button initializes all the Destination patterns to their default settings See Initial Pattern Default Settings This function allows you to reset all the parameters of the selected pattern to the factory initial pattern with default values This gives you a blank slate from which you can create your own pattern This operation erases all previous patterns in the Destination box and replaces them with...

Page 67: ...ump Data This window lets you make a variety of basic and detailed settings for the AN200 Editor These are contained in two tabs MIDI and Others AN200 Editor Setup can also be selected from the toolbar MIDI Tab MIDI CH Channel Range 1 16 This determines which MIDI channel is used for sending AN200 Editor data Set this to match the receive channel for the Part you wish to control AN200 Editor Setup...

Page 68: ... the AN200 Editor are instantly and automatically transmitted to the AN200 This ensures that you can audition edits as soon as you make them OK Click this to apply all the settings you ve made in the three tabs Cancel Click this to return to the main AN200 Editor window without changing any of the settings Others Tab Parameter Knob Operation Rotate When this is selected the parameter values of the...

Page 69: ...CO blocks into MIXER MIXER into VCF etc is shown Relation of Osc Sync When this is checked the master slave relationship of the Oscillator Sync feature is shown Relation of FM When this is checked the modulation routing of the FM feature is shown Although the AN200 Display Option can also be selected from the master menu you may want to use this slightly quicker more convenient way of changing the...

Page 70: ... Dump Interval Range 0msec 1 5sec This parameter is available when User Patterns above is selected Bulk Dump Inter val determines the amount of time in clocks that separates each data transmission If the tone generator or card chokes on the incoming MIDI data or XGworks has trou ble sending all the data properly or some other trouble occurs try setting the Interval to a higher number Transmit AN20...

Page 71: ...placed by the received data Receive Method 1 Pattern Voice When this is selected only the data for one pattern voice will be received This data is loaded into the edit buffer temporary memory storage Make sure to store the received pattern voice after executing this operation Otherwise the data will be lost upon selecting a different pattern voice All User Patterns Voices When this is selected the...

Page 72: ...s data types that can be sent received are abbreviated on the AN1x as fol lows 1 Pattern 1 ptn All User Patterns all ptn The progress bar indicates how much data has been received When the bar is com pletely filled all data has been received OK Click this to exit from the dialog box once all data has been received Make sure that the MIDI OUT jack of the AN1x is properly connected to the computer i...