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15

 

4. PROGRAMMING SECTION

14

 

3. OVERVIEW

3.3. Sound generation / Signalpath

This is what is to be found under the hood of MAGMA´s sound generation. All sections are labelled in a 

specific colour, corresponding to MAGMA´s front-panel layout.

The sound sources are the voltage-controlled oscillator (VCO) and a sub-oscillator (SUB), phase-synced to 

the VCO. They put their waveforms into the mixer and further into the voltage-controlled filter (VCF) and the 

voltage-controlled amplifier (VCA). There is also an external input fed into the filter / amplifier. Have a look 

at the two envelope generators and the way they are connected to their destinations: ENV2 controls the 

VCA, ENV1 can be inverted and controls VCF and VCO pitch. LFO 2 controls the mixer, LFO 1 is connec-

ted to VCO pitch as well as to the pulse-width of the square-wave. Its modulation curve can also be inver-

ted. At least we find MIDI data (or the on-board sequencer respectively), controlling pitch and triggering 

ENV 2 to generate notes.

VCO

VCF

VCA

SUB

OUT

EXT. IN

W

A

VE
FO
R

M-M

I

XE
R

Sync

Saw

Square

Square

Noise

ENV 3

(AD)

ENV 2

(ADSR)

ENV 1

(ADSR)

Inv

Inv

LFO 2

LFO 1

MIDI

Velocity

MIDI

Note

Pitch PWM

Audiosignal

Modulation / Control

4. PROGRAMMING SECTION

Here you will learn all about MAGMAs programming section, introduced on page 12. 

 

4.1. Preset / Pattern Handling 

Presets and Patterns

First of all, we should distinguish between presets and patterns. A preset contains all the sequencer set-

tings plus a specific sound setting. A pattern consists only out of the sequencer setting. That means, when 

changing a preset, pattern and sound will change. When changing a pattern, the sequencer will play 

something different but the sound currently selected remains the same (the sound, not necessarily the 

song…).

Memory Architecture

To understand MAGMA´s memory architecture, please have a look at the following figure. There are four 

banks of eight sub-banks each. Each sub-bank contains eight presets. This makes a total of 256 presets. 

Exactly the same goes for the patterns. That´s quite a lot of fun to be had.

 

4.1.1. Loading a bank

•  Hit 

SHIFT

 (hold) + 

BANK

 to enter the bank select menu 

•  Turn 

VAL

 to select bank 1 – 4. 

Bank

1

1  –  8

1  –  8

1  –  8

1  –  8

1  –  8

1 – 8

2

3

4

Sub Bank

Preset / 

Pattern

...

1  –  8

1 – 8

...

...

...

=>  4 Banks

=>  32 Sub Banks

=>  256 Presets /

 

  Patterns

TRANSP

 

A

SHUFFLE

 

B

SWING

 

RST

+

hold

move

TRANSP

 

A

SHUFFLE

 

B

SWING

 

RST

Bank 1 – 4

Summary of Contents for EOwave

Page 1: ...A N A L O G U E B A S S L I N E S Y N T H E S I Z E R TRANSPA SHUFFLE B SWING RST OWNERS MANUAL VERS 1 0...

Page 2: ...beer crates trucks or mothers in law on the instrument Before moving place with MAGMA make sure the unit is disconnected from other devices external controllers mixers etc If not watch for cables and...

Page 3: ...14 4 PROGRAMMING SECTION 15 4 2 Programming a preset 17 4 3 Saving Presets 25 4 4 Save Patterns 26 4 5 Clearing Notes Presets Patterns 27 4 6 Transpose Menu 28 4 7 Clock Divider 30 4 8 Chaining Patter...

Page 4: ...to build a new synthesiser which marries the best of today s analogue and digital technology We wanted to build a synthesiser with a very special timbral footprint that would conjure up images of som...

Page 5: ...e All you need to use MAGMA is the power supply and a suitable audio system or a headphone respectively a little love can t do any harm either Make use of the additional connection terminals and you w...

Page 6: ...le level When it hurts it is probably a tad too much When running MAGMA together with a mixer turn MAGMA s VOLUME up to the max and adjust the input level on your mixer This will yield the best signal...

Page 7: ...combinations A N A L O G U E B A S S L I N E S Y N T H E S I Z E R VCA VOLUME Output Modulation from ENV1 Velocity LFOs 1 2 LFO 1 to VCO VCF PWM LFO 2 to waveform mixer 8 waveforms at 3 stages each E...

Page 8: ...e ENV 3 AD ENV 2 ADSR ENV 1 ADSR Inv Inv LFO 2 LFO 1 MIDI Velocity MIDI Note Pitch PWM Audiosignal Modulation Control 4 PROGRAMMING SECTION Here you will learn all about MAGMAs programming section int...

Page 9: ...ead of hitting a button in the upper row Convenience you know 4 2 Programming a preset Let s have a closer look at MAGMA s on board sequencer it is pretty powerful and it is lots of fun And with a lit...

Page 10: ...ote which means the sequence is divided into 16 1 16 notes 1 16 is the shortest available note length It is easy to program longer notes Let s assume you have already entered the note track and set so...

Page 11: ...the beginning of this section The three other tracks provide control over MAGMA s sound parameters They dynamically change value settings of assigned parameters To program these tracks please Hit SHI...

Page 12: ...ld NOTE to enter the note track the same goes for mod tracks M1 M3 Hit a STEP hold hit ENTER In the example above the note track now runs from step 1 to step 8 Step 9 is not the last played step but t...

Page 13: ...w preset to the current location Please note This will overwrite the preset previously stored in this place Make sure that this is really your intention there is NO undo function on MAGMA If you accid...

Page 14: ...elected memory location this step is not shown in the picture 4 5 Clearing Notes Presets Patterns Shuffle M1 M3 Not all of your creations might have had your Master s Touch Do not fear you can easily...

Page 15: ...rrent sequence 4 6 2 Single Multi Trigger Hit PRESET to toggle between single and multiple triggering when receiving MIDI notes from an external MIDI device Multi Trigger PRESET LED off Every incoming...

Page 16: ...ern or preset Without storing the randomised sequence will be lost after changing to a new preset pattern or after powering MAGMA down You will find all about the store functions on pages 25 26 4 7 Cl...

Page 17: ...get confused You cannot cause damage this way but unwanted effects and erratic behaviour might ensue Always a good thing when experienced five minutes before a live show on TV 4 9 MIDI Channel Use th...

Page 18: ...rms into the mixer and further on into the voltage controlled filter VCF as well as the voltage controlled amplifier VCA There is also an external input fed into the filter amplifier section for proce...

Page 19: ...changing the pitch of the VCO Secondly it selects the modulation source for the pulse width modu lation PWM of the square wave The three LEDs around the sync button display the PWM source The LED in t...

Page 20: ...rd sequencer or receives external MIDI data 5 7 LFOs MAGMA provides you with two LFOs Low Frequency Oscillators for even more com plex modulation madness Both LFOs generate several waveforms and can b...

Page 21: ...anions from time to time In order to ensure a proper communication with the outside world MAGMA is equipped with a MIDI interface MAGMA s MIDI interface boasts the following features USB port for MIDI...

Page 22: ...clude an explanatory note CE norm FCC information 1 Important notice do not modify this unit This product when installed as indicated in the instructions contained in this manual is compatible with th...

Page 23: ......

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